The Saint's Tragedy eBook

This eBook from the Gutenberg Project consists of approximately 195 pages of information about The Saint's Tragedy.

The Saint's Tragedy eBook

This eBook from the Gutenberg Project consists of approximately 195 pages of information about The Saint's Tragedy.
practice, is the main object of my Poem.  That a most degrading and agonising contradiction on these points must have existed in the mind of Elizabeth, and of all who with similar characters shall have found themselves under similar influences, is a necessity that must be evident to all who know anything of the deeper affections of men.  In the idea of a married Romish saint, these miseries should follow logically from the Romish view of human relations.  In Elizabeth’s case their existence is proved equally logically from the acknowledged facts of her conduct.

I may here observe, that if I have in no case made her allude to the Virgin Mary, and exhibited the sense of infinite duty and loyalty to Christ alone, as the mainspring of all her noblest deeds, it is merely in accordance with Dietrich’s biography.  The omission of all Mariolatry is remarkable.  My business is to copy that omission, as I should in the opposite case have copied the introduction of Virgin-worship into the original tale.  The business of those who make Mary, to women especially, the complete substitute for the Saviour—­I had almost said, for all Three Persons of the Trinity—­is to explain, if they can, her non-appearance in this case.

Lewis, again, I have drawn as I found him, possessed of all virtues but those of action; in knowledge, in moral courage, in spiritual attainment, infinitely inferior to his wife, and depending on her to be taught to pray; giving her higher faculties nothing to rest on in himself, and leaving the noblest offices of a husband to be supplied by a spiritual director.  He thus becomes a type of the husbands of the Middle Age, and of the woman-worship of chivalry.  Woman-worship, ‘the honour due to the weaker vessel,’ is indeed of God, and woe to the nation and to the man in whom it dies.  But in the Middle Age, this feeling had no religious root, by which it could connect itself rationally, either with actual wedlock or with the noble yearnings of men’s spirits, and it therefore could not but die down into a semi-sensual dream of female-saint-worship, or fantastic idolatry of mere physical beauty, leaving the women themselves an easy prey to the intellectual allurements of the more educated and subtle priesthood.

In Conrad’s case, again, I have fancied that I discover in the various notices of his life a noble nature warped and blinded by its unnatural exclusions from those family ties through which we first discern or describe God and our relations to Him, and forced to concentrate his whole faculties in the service, not so much of a God of Truth as of a Catholic system.  In his character will be found, I hope, some implicit apology for the failings of such truly great men as Dunstan, Becket, and Dominic, and of many more whom, if we hate, we shall never understand, while we shall be but too likely, in our own way, to copy them.

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The Saint's Tragedy from Project Gutenberg. Public domain.