If the owner wishes to “make a splash,” another horse, equally silvered, is harnessed abreast, something like the Russian Furieux; and in the country, where the roads on the plantations are execrable, and quite impassable for any spring carriage, a third horse is often added, the postilion always riding the near, or left-hand horse. The body of the carriage is comfortably cushioned, and lined with bright gay colours, and generally has a stunning piece of carpet for a rug. Such is the Cuban Volante, in which the Hidalgos and the Corazoncitas with glowing lustrous eyes roll about in soft undulating motion from place to place; and, believe me, such a Volante, tenanted by fairy forms lightly and gaily dressed, with a pleasant smile on their lips and an encyclopedia of language beaming from the orbs above, would arrest the attention of the most inveterate old bachelor that ever lived; nay, it might possibly give birth to a deep penitential sigh and a host of good and sensible resolutions. Ordinary Volantes are the same style of thing, only not so gay, and the usual pace is from three to five and a half miles an hour, always allowing five minutes for turning at the corner of every street. If you are curious to know why I am in such a hurry to describe a Volante, as if it were the great feature of Cuba, the reason is, simply, that my first act on landing was to get into one of the said vehicles and drive to the hotel.