lost, and the twilight dwelt with greenness and dampness.
At the bottom the Dourdou ran swiftly over its pebbly
bed. After following it a little distance I found
myself between towering walls of Jurassic rock, vertical
towards the summit, capped on each side by a long
row of houses. There was also a church, likewise
on the edge of the precipice. This was Bozouls—a
place scarcely known beyond a small district of the
Aveyron, but one of the most curious in France.
The traveller, when he reaches the gorge, after crossing
a somewhat monotonous country, is quite unprepared
for such a startling revelation of the sentiment of
human fellowship in the midst of the savagery of nature.
Why did men build houses in rows on the brink of these
frightful precipices? It appears to have been
all done for the sake of the artist and the lover of
the picturesque. And yet Bozouls grew to be a
village in an age when men of work and action only
knew two kinds of enthusiasm—war and religion.
Either a castle or a religious foundation must have
been the beginning of this community. There are
no remains of a fortress, but the church is very old,
and its elaborate architecture suggests that it was
at one time attached to a monastic establishment.
After crossing the stream I climbed to this church
by a path that wound about the rocks, and found it
an exceedingly interesting example of the Southern
Romanesque. The portal opens into a narthex,
where there is a very primitive font like a low square
trough. The nave entrance has two columns on each
side supporting archivolts, and upon the capitals
of these columns are carved figures of the quaintest
Romanesque character, illustrating Biblical subjects.
The nave has an aisle on each side scarcely four feet
wide, and most of the separating columns are out of
the perpendicular. The capitals here are wrought
with acanthus-leaves or little figures. The sanctuary
and apse are in the style of Auvergne, with this peculiarity,
that the capitals of the slender columns are singularly
massive, and bear only the mere outline of the acanthus-leaf
for ornament.
The long street of the village, white and sunbaked,
running within a few yards of the precipice, was almost
as deserted as the church. But for a Sister who
stood by the convent gate like a statue of Eternal
Silence, and a man who was killing a wretched calf
in the middle of the road, I might have asked myself
if this fantastic Bozouls was not some spectral village,
reproducing the past in all except the living beings
who had gone down into their graves. When I recrossed
the Dourdou, the light was several tones lower than
it was when I first descended to the bottom of the
ravine, and the vegetation was of a deeper and sadder
green. And the stream rushed onward with a low
wail, and a distressful cry, as of a soul passing
down the Dark Valley and not yet free from the panic
of death.