“After much meditation,” he says, “I have been led to the conclusion that wisdom without eloquence is of little use to a state, while eloquence without wisdom is often positively harmful, and never of any value. Thus if a man, abandoning the study of reason and duty, which is always perfectly straight and honourable, spends his whole time in the practice of speaking, he is being brought up to be a hindrance to his own development, and a dangerous citizen.” This reminds us of Cato’s saying that an orator is “vir bonus dicendi peritus.” Less strongly expressed, the same view is also found in the exordium of another and more mature treatise on rhetoric, by an author whose name is unknown, written a year or two before that of Cicero: “Non enim parum in se fructus habet copia dicendi et commoditas orationis, si recta intelligentia et definita animi moderatione gubernetur."[299] We may assume that in Cicero’s early years the best men felt that the rhetorical art, if it were to be of real value to the individual and the state, must be used with discretion, and accompanied by high aims and upright conduct.
Yet within a generation of the date when these wise words were written, the letters of Caelius show us that the art was used utterly without discretion, and to the detriment both of state and individual. The high ideal of culture and conduct had been lost in the actual practice of oratory, in a degenerate age, full of petty ambitions and animosities. We ourselves know only too well how a thing good in itself as a means is apt to lose its value if raised into the place of an end;—how the young mind is apt to elevate cricket, football, golf, into the main object of all human activity. So it was with rhetoric; it was the indispensable acquirement to enable a man to enjoy thoroughly the game in the Forum, and thus in education it became the staple commodity. The actual process of acquiring it was no doubt an excellent intellectual exercise,—the learning rules of composition, the exercises in applying these rules, i.e. the writing of themes or essays (proposita, communes loci), in which the pupil had “to find and arrange his own facts,"[300] and then the declamatio, or exercise in actual speaking on a given subject, which in Cicero’s day was called causa, and was later known as controversia.[301] Such practice must have brought out much talent and ingenuity, like that of our own debating societies