we ever met with in any thing intended for the public eye.  They are filled, indeed, with praises of the author himself, and his works, and his laurel, and his dispositions; notices of his various virtues and studies; puffs of the productions he is preparing for the press, and anticipations of the fame which he is to reap by their means, from a less ungrateful age; and all this delivered with such an oracular seriousness and assurance, that it is easy to see the worthy Laureate thinks himself entitled to share in the prerogatives of that royalty which he is bound to extol, and has resolved to make it

 —­his great example as it is his theme.

For, as sovereign Princes are permitted, in their manifestoes and proclamations, to speak of their own gracious pleasure and royal wisdom, without imputation of arrogance, so, our Laureate has persuaded himself that he may address the subject world in the same lofty strains, and that they will listen with as dutiful an awe to the authoritative exposition of his own genius and glory.  What might have been the success of the experiment, if the execution had been as masterly as the design is bold, we shall not trouble ourselves to conjecture; but the contrast between the greatness of the praise and the badness of the poetry in which it is conveyed, and to which it is partly applied, is abundantly decisive of its result in the present instance, as well as in all the others in which the ingenious author has adopted the same style.  We took some notice of the Carmen Triumphale, which stood at the head of the series.  But of the Odes which afterwards followed to the Prince Regent, and the Sovereigns and Generals who came to visit him, we had the charity to say nothing; and were willing indeed to hope, that the lamentable failure of that attempt might admonish the author, at least as effectually as any intimations of ours.  Here, however, we have him again, with a Lay of the Laureate, and a Carmen Nuptiale, if possible still more boastful and more dull than any of his other celebrations.  It is necessary, therefore, to bring the case once more before the Public, for the sake both of correction and example; and as the work is not likely to find many readers, and is of a tenor which would not be readily believed upon any general representation, we must now beg leave to give a faithful analysis of its different parts, with a few specimens of the taste and manner of its execution.

Its object is to commemorate the late auspicious marriage of the presumptive Heiress of the English crown with the young Prince of Saxe-Cobourg; and consists of a Proem, a Dream, and an Epilogue—­with a L’envoy, and various annotations.  The Proem, as was most fitting, is entirely devoted to the praise of the Laureate himself; and contains an account, which cannot fail to be very interesting, both to his Royal auditors and to the world at large, of his early studies and attainments—­the excellence