“On Saturday morning early,” says he, “I took a chaise for Melrose; and on the way stopped at the gate of Abbotsford, and sent in my letter of introduction, with a request to know whether it would be agreeable for Mr. Scott to receive a visit from me in the course of the day.  The glorious old minstrel himself came limping to the gate, and took me by the hand in a way that made me feel as if we were old friends; in a moment I was seated at his hospitable board among his charming little family, and here I have been ever since....  I cannot tell you how truly I have enjoyed the hours I have passed here.  They fly by too quickly, yet each is loaded with story, incident, or song; and when I consider the world of ideas, images, and impressions that have been crowded upon my mind since I have been here, it seems incredible that I should only have been two days at Abbotsford.”

And here is Scott’s impression of Irving:  “When you see Tom Campbell,” he writes to a friend, “tell him, with my best love, that I have to thank him for making me known to Mr. Washington Irving, who is one of the best and pleasantest acquaintances I have made this many a day.”

When the “Sketch Book” was coming out in the United States, and Irving was thinking of publishing it in England, he received some advice and assistance from Scott; and finally Scott persuaded the great English publisher Murray to take it up, even after that publisher had once declined it.  On this occasion Irving wrote to a friend as follows: 

“He (Scott) is a man that, if you knew, you would love; a right honest-hearted, generous-spirited being; without vanity, affectation, or assumption of any kind.  He enters into every passing scene or passing pleasure with the interest and simple enjoyment of a child.”

CHAPTER X

“Rip Van Winkle”

Irving’s most famous work is undoubtedly the “Sketch Book”; and of the thirty-two stories and essays in this volume, all Americans love best “The Legend of Sleepy Hollow” and “Rip Van Winkle.”

After the failure of his business, when Irving saw that he must write something at once to meet his ordinary living expenses, he went up to London and prepared several sketches, which he sent to his friend, Henry Brevoort, in New York.  Among them was the story of Rip Van Winkle.  This, with the other sketches, was printed in handsome form as the first number of a periodical, which was offered for sale at seventy-five cents.  Though “The Sketch Book,” as the periodical was called, professed to be edited by “Geoffrey Crayon, Gent.,” every one knew that Washington Irving was the real author.  In fact, the best story in the first number, “Rip Van Winkle,” was represented to be a posthumous writing of Diedrich Knickerbocker, the author of the “History of New York.”

There are few Americans who do not know the story of “Rip Van Winkle” by heart; for those who have not read the story, have at least seen the play in which Joseph Jefferson, the great actor, has made himself so famous.