Between the two extremes represented by shabby, crack-brained Cousin Parnelia and elegant, sardonic old Professor Kennedy, there were many other habitual visitors at the house—raw, earnest, graceless students of both sexes, touchingly grateful for the home atmosphere they were allowed to enter; a bushy-haired Single-tax fanatic named Hecht, who worked in the iron-foundries by day, and wrote political pamphlets by night; Miss Lindstroem, the elderly Swedish woman laboring among the poor negroes of Flytown; a constant sprinkling from the Scandinavian-Americans whose well-kept truck-farms filled the region near the Marshall home; one-armed Mr. Howell, the editor of a luridly radical Socialist weekly paper, whom Judith called in private the “old puss-cat” on account of his soft, rather weak voice and mild, ingratiating ways. Yes, the co-ed had been right, one met at the Marshalls’ every variety of person except the exclusive.
These habitues of the house came and went with the greatest familiarity. As they all knew there was no servant to answer the doorbell, they seldom bothered to ring, but opened the door, stepped into the hall, hung up their wraps on the long line of hooks, and went into the big, low-ceilinged living-room. If nobody was there, they usually took a book from one of the shelves lining the room and sat down before the fire to wait. Sometimes they stayed to the next meal and helped wash up the dishes afterwards. Sometimes they had a satisfactory visit with each other, two or three callers happening to meet together before the fire, and went away without having seen any of the Marshalls. Informality could go no further.
The only occurrence in the Marshall life remotely approaching the regularity and formality of a real social event was the weekly meeting of the string quartet which Professor Marshall had founded soon after his arrival in La Chance.