The Atlantic Monthly, Volume 04, No. 21, July, 1859 eBook

This eBook from the Gutenberg Project consists of approximately 337 pages of information about The Atlantic Monthly, Volume 04, No. 21, July, 1859.

The Atlantic Monthly, Volume 04, No. 21, July, 1859 eBook

This eBook from the Gutenberg Project consists of approximately 337 pages of information about The Atlantic Monthly, Volume 04, No. 21, July, 1859.

Not so with Zelma.  She was satisfied, even charmed, with the personation of Osmyn; but, from the first, she could not abide either of the heroines, who, each in her part, strove to outdo the other in mincing, mouthing, attitudinizing, and all imaginable small sins against Nature and Art.  She saw at once, by the sure intuitions of genius, how everything they did could be done better, and burned to do it.  The part of Almeria she soon dismissed from her thoughts, as mere milk-and-water; but she saw that in that of Zara there was a stream of lava, though dulled and crusted over by the coldness of the actress, which might be made to sweep all before it.  Her critical dissatisfaction with the personation became, at last, little short of torture; there was an involuntary lowering of her dark brows, a scornful quiver of her spirited nostril, she bit her lip with angry impatience, and shrugged her shoulders with irrepressible contempt.

In the great scene where Zara surprises Almeria in the cell of Osmyn, it was astonishing how the flaxen-haired representative of the Captive Queen managed to turn her fiery rain of curses into a little pattering shower of womanish reproaches.  It was really a masterly performance, in its way.

At this point Zelma threw herself back in utter weariness and disgust, exclaiming, audibly,—­“Miserable!—­most miserable.”  When, looking round, she saw the traces of her cousin’s innocent emotion, the flush and tearfulness which bespoke her uncritical sympathy with passions so unskilfully represented, she could not suppress a smile at such childish simplicity.  And yet this was also her first play.

The tragedy was succeeded by a farce, at which Bessie laughed as heartily as she had wept a little while before, but which was utterly distasteful to Zelma; and at an alarmingly late hour, for that quiet community, the green curtain came heavily plunging down on the final scene of all, and the audience dispersed to their homes.

On the day following, Sir Harry Willerton’s guests returned to town, but, to their surprise, unaccompanied by their host, who seemed to have suddenly discovered that his presence was needed on his estate.  So he remained.  Soon it was remarked that a singular intimacy had sprung up between him and Squire Burleigh, with whom, at length, the larger portion of his time was passed, either in following the hounds or dining at the Grange.  There were rumors and surmises that the attractions which drew the young baronet to his bluff neighbor’s hospitable hall were not the Squire’s hearty cheer, old wine, and older stories, but a pair of shy, yet tender eyes,—­red lips, that smiled a wordless welcome, and sometimes pouted at a late coming,—­cheeks whose blushes daily grew warmer in love’s ripening glow,—­a voice whose tones daily grew deeper, and seemed freighted with more delicious meanings.

There was little discussion as to which of the young ladies of the Grange was the enchantress and the elect Lady Willerton.

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The Atlantic Monthly, Volume 04, No. 21, July, 1859 from Project Gutenberg. Public domain.