and a conscience. Wordsworth married in 1802;
and then the two poets passed through their share of
the experience of human life, a few miles apart, meeting
occasionally on some mountain ridge or hidden dale,
and in one another’s houses, drawn closer by
their common joys and sorrows, but never approximating
in the quality of their genius, or in the stand-points
from which they respectively looked out upon human
affairs. They had children, loved them, and each
lost some of them; and they felt tenderly for each
other when each little grave was opened. Southey,
the most amiable of men in domestic life, gentle,
generous, serene, and playful, grew absolutely ferocious
about politics, as his articles in the “Quarterly
Review” showed all the world. Wordsworth,
who had some of the irritability and pettishness,
mildly described by himself as “gentle stirrings
of the mind,” which occasionally render great
men ludicrously like children, and who was, moreover,
highly conservative after his early democratic fever
had passed off, grew more and more liberal with advancing
years. I do not mean that he verged towards the
Reformers,—but that he became more enlarged,
tolerant, and generally sympathetic in his political
views and temper. It thus happened that society
at a distance took up a wholly wrong impression of
the two men,—supposing Southey to be an
ill-conditioned bigot, and Wordsworth a serene philosopher,
far above being disturbed by troubles in daily life,
or paying any attention to party-politics. He
showed some of his ever-growing liberality, by the
way, in speaking of this matter of temper. In
old age, he said that the world certainly does get
on in minor morals: that when he was young “everybody
had a temper”; whereas now no such thing is allowed;
amiability is the rule; and an imperfect temper is
an offence and a misfortune of a distinctive character.
Among the letters which now and then arrived from
strangers, in the early days of Wordsworth’s
fame, was one which might have come from Coleridge,
if they had never met. It was full of admiration
and sympathy, expressed as such feelings would be
by a man whose analytical and speculative faculties
predominated over all the rest. The writer was,
indeed, in those days, marvellously like Coleridge,—subtile
in analysis to excess, of gorgeous imagination, bewitching
discourse, fine scholarship, with a magnificent power
of promising and utter incapacity in performing, and
with the same habit of intemperance in opium.
By his own account, his “disease was to meditate
too much and observe too little.” I need
hardly explain that this was De Quincey; and when I
have said that, I need hardly explain further that
advancing time and closer acquaintance made the likeness
to Coleridge bear a smaller and smaller proportion
to the whole character of the man.