Choice Specimens of American Literature, and Literary Reader eBook

This eBook from the Gutenberg Project consists of approximately 612 pages of information about Choice Specimens of American Literature, and Literary Reader.

Choice Specimens of American Literature, and Literary Reader eBook

This eBook from the Gutenberg Project consists of approximately 612 pages of information about Choice Specimens of American Literature, and Literary Reader.

The multitude of species, intermixed as they are in their spontaneous growth, gives the American forest landscape a variety of aspect not often seen in the woods of Europe; and the gorgeous tints which nature repeats from the dying dolphin to paint the falling leaf of the American maples, oaks, and ash trees, clothe the hill-sides and fringe the watercourses with a rainbow splendor of foliage, unsurpassed by the brightest groupings of the tropical flora.  It must be admitted, however, that both the northern and the southern declivities of the Alps exhibit a nearer approximation to this rich and multifarious coloring of autumnal vegetation than most American travellers in Europe are willing to allow; and, besides, the small deciduous shrubs, which often carpet the forest glades of these mountains, are dyed with a ruddy and orange glow, which, in the distant landscape, is no mean substitute for the scarlet and crimson and gold and amber of the trans-atlantic woodland.

No American evergreen known to me resembles the umbrella pine sufficiently to be a fair object of comparison with it.  A cedar, very common above the Highlands on the Hudson, is extremely like the cypress, straight, slender, with erect, compressed ramification, and feathered to the ground, but its foliage is neither so dark nor so dense, the tree does not attain the majestic height of the cypress, nor has it the lithe flexibility of that tree.  In mere shape, the Lombardy poplar nearly resembles this latter, but it is almost a profanation to compare the two, especially when they are agitated by the wind; for under such circumstances, the one is the most majestic, the other the most ungraceful, or—­if I may apply such an expression to any thing but human affectation of movement—­the most awkward of trees.  The poplar trembles before the blast, flutters, struggles wildly, dishevels its foliage, gropes around with its feeblest branches, and hisses as in impotent passion.  The cypress gathers its limbs still more closely to its stem, bows a gracious salute rather than an humble obeisance to the tempest, bends to the winds with an elasticity that assures you of its prompt return to its regal attitude, and sends from its thick leaflets a murmur like the roar of the far-off ocean.

* * * * *

=_George H. Calvert, 1803-._= (Manual pp. 503, 505.)

From “First Years in Europe.”

=_198._= ESTIMATE OF COLERIDGE.

That Coleridge with his mental pockets full of gold, and with a mine in fee wherefrom he not only replenished his daily purse but enriched his neighbors, should now and then borrow a guinea, is a fact at which we should rather smile than frown, or, more fitly, pass by without special sensation, seeing what has been the practice of the highest,—­a practice which may with full ethical assent be regarded as a privilege inherent in their supremacy, the free use of all knowledge collected and experience acquired,

Copyrights
Project Gutenberg
Choice Specimens of American Literature, and Literary Reader from Project Gutenberg. Public domain.