However much these definitions, conceived in harmony with the dualistic view of Christianity, accentuate the antithesis between God and the world, this is elsewhere much softened, nay directly denied, in favor of a pantheistic view which points forward to the modern period. Side by side with the assertion that there is no proportion whatever between the infinite and the finite, the following naively presents itself, in open contradiction to the former: God excels the reason just as much as the latter is superior to the understanding, and the understanding to sensibility, or he is related to thought as thought to life, and life to being. Nay, Nicolas makes even bolder statements than these, when he calls the universe a sensuous and mutable God, man a human God or a humanly contracted infinity, the creation a created God or a limited infinity; thus hinting that God and the world are at bottom essentially alike, differing only in the form of their existence, that it is one and the same being and action which manifests itself absolutely in God, relatively and in a limited way in the system of creation. It was chiefly three modern ideas which led the Cusan on from dualism to pantheism—the boundlessness of the universe, the connection of all being, and the all-comprehensive richness of individuality. Endlessness belongs to the universe as well as to God, only its endlessness is not an absolute one, beyond space and time, but weakened and concrete, namely unlimited extension in space and unending duration in time. Similarly, the universe is unity, yet not a unity absolutely above multiplicity and diversity, but one which is divided into many members and obscured thereby. Even the individual is infinite in a certain sense; for, in its own way, it bears in itself all that is, it mirrors the whole world from its limited point of view, is an abridged, compressed representation of the universe. As the members of the body, the eye, the arm, the foot, interact in the closest possible