upon two-thirds of the tombstones here, to decent
English prose, which one would suppose might have been
produced at a much less expenditure of intellectual
effort? But since it is an unquestionable fact
that we are thus totally depraved in taste and feeling,
why don’t some of our bards, to whom the Muse
has not been propitious in other departments of metrical
composition, and who, to be blunt, are good for nothing
else, such as ——, or ——,
and many others you know, come out here among the
marble-cutters and open an
epitaph-shop?
Mournful stanzas might then be procured of every size
and pattern, composed with decent reverence for the
rules of grammar, respect for the feet and limbs of
the linear members, and possibly some regard for consistency
in the ideas they might chance occasionally to express.
Genin the hatter, and Cockroach Lyon, each keeps a
poet. Why cannot the marble-cutters procure some
of the Heliconian fraternity as partners? Bards
would thus serve the cause of education, benefit future
antiquaries, and earn more hard dimes ten times over
than they do in writing lines for the blank corners
of newspapers and the waste spaces between articles
in magazines. I throw this hint out of the window
of the “Atlantic,” in the fervent hope
that it will be seen, picked up, and pocketed by some
reformer who is now out of business; and I would earnestly
urge such individual to agitate the question with all
his might, and wake up the community to the vital
importance, by making use of “poetic fire”
and “inspired frenzy” now going to waste,
or some other instrumentality, of a reformation in
epitaphic necrology.
Seriously, modern epitaphs are a burlesque upon religion,
a caricature of all things holy, divine, and beautiful,
and an outrage upon the common sense and culture of
the community. A collection of comic churchyard
poetry might be made in this place which would eclipse
the productions of Mr. K.N. Pepper, and cause
a greater “army of readers to explode”
than his “Noad to a Whealbarrer” or the
“Grek Slaiv” has done.
* * * *
*
During our rambles among the tombstones the sun has
long since passed the meridian, and the streets and
avenues of the cemetery are crowded with carriages
and thronged with pedestrians, the tramping of horses’
feet, the rumbling of wheels, and the voices of men
fill the air, and the place which was so silent and
deserted this morning is now as noisy and bustling
as the metropolis yonder. And soon begin to arrive
thick and fast the funeral trains. Many of the
black-plumed hearses are followed by only a single
hired coach or omnibus, others by long trails of splendid
equipages. Upon the broad slope of a hill, whither
the greater number of the processions move, entirely
destitute of trees and flooded with sunshine, many
thousand graves, mostly unmarked by headstones, lie
close together, resembling in appearance a corn-field
which has been permitted to run to grass unploughed.