Take the story of Italy’s revival—the “Resurrection,” as Italians call it. In the summer of 1911, Italy was celebrating her jubilee of national rebellion, and English writers who spend their years, day by day or week by week, sneering at freedom, betraying nationality, and demanding vengeance on rebels, burst into ecstatic rhapsodies about that glorious but distant uprising. They raised the old war-cry of liberty over battle-fields long silent; they extolled to heaven the renown of the rebellious dead; their very periods glowed with Garibaldian red, white, and green; and rising to Byronic exaltation they concluded their nationalist effusions by adjuring freedom’s weather-beaten flag:
“Yet, Freedom! yet thy banner, torn,
but flying,
Streams like the thunder-storm against
the wind!”
So they cried, echoing the voice of noble ghosts. But where in the scenes of present life around them have they hailed that torn but flying banner? What have they said or done for freedom’s emblem in Persia, or in Morocco, or in Turkey? What support have they given it in Finland, or in the Caucasus, or in the Baltic Provinces? To come within our own sphere, what ecstatic rhapsodies have they composed to greet the rising nationalism of Ireland, or of India, or of Egypt? Or, in this country herself, what movement of men or of women striving to be free have they welcomed with their paeans of joy? Not once have they perceived a glory in liberty’s cause to-day. Wherever a rag of that torn banner fluttered, they have denounced and stamped it down, declaring it should fly no more. Their admiration and enthusiasm are reserved for a buried past, and over triumphant rebellion they will sentimentalise for pages, provided it is securely bestowed in some historic age that can trouble them no more.