Punch, or the London Charivari, Volume 153, October 24, 1917 eBook

This eBook from the Gutenberg Project consists of approximately 45 pages of information about Punch, or the London Charivari, Volume 153, October 24, 1917.

Punch, or the London Charivari, Volume 153, October 24, 1917 eBook

This eBook from the Gutenberg Project consists of approximately 45 pages of information about Punch, or the London Charivari, Volume 153, October 24, 1917.
is made to see the young woman who is clasped to the heroic breast on the last page as the logical development of the ragged urchin stamping her bare foot into the soft cement of Calvary Alley on the first.  Moreover—­wonder of wonders for transatlantic fiction!—­the author is able to write about children, and the contrasted lives of rich and poor city dwellers, without lapsing into sentimentality, O si sic omnes! But either American bishops are strangely different from the English variety, or Mrs. RICE, following Mr. WELLS’S example, has permitted herself an episcopal burlesque.  In either case the resulting portrait is hardly worthy of an otherwise admirably-drawn collection of original characters.

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Christine (MACMILLAN) contains a very illuminating picture of Germany in the months immediately preceding the War; but I am perplexed—­and a little provoked—­by the way in which it is presented.  The book opens with a pathetic foreword, signed by Miss ALICE CHOLMONDELEY, in which we read:  “My daughter Christine, who wrote me these letters, died at a hospital in Stuttgart on the morning of August 8th, 1914, of acute double pneumonia....  I am publishing the letters just as they came to me, leaving out nothing....  The war killed Christine, just as surely as if she had been a soldier in the trenches....  I never saw her again.  I had a telegram saying she was dead.  I tried to go to Stuttgart, but was turned back at the frontier.”  Then follows a Publishers’ note to the effect that some personal names have been altered.  After this one is naturally surprised to find the book advertised as a “new novel.”  All I can say is that, if Miss CHOLMONDELEY’S preface is true, her book is not a novel, and that, if it is untrue, I do not think the foreword is fair or in good taste.  My opinion, for what it is worth, is that Miss CHOLMONDELEY was herself in Germany during the summer of 1914, and has chosen this way of telling us what she saw and heard.  Anyhow the letters are undoubtedly the work of someone who knows Germany and the inhabitants thereof.  And for this excellent reason Christine should not be missed by anyone who wants to know in what a state of militant anticipation the Germans were living.  The strongest searchlight has been thrown over the Hun, from the habitues of a middle-class boarding-house to members of the Junker breed.  Whether these letters ought to be classed as fiction or not they contain facts, and as they are written in a style at once vivid and engaging my advice to you is to read them and not worry too much about the foreword.

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Punch, or the London Charivari, Volume 153, October 24, 1917 from Project Gutenberg. Public domain.