and a manly admiration for those old spiritual heroes
to whose virtue and endurance Europe owes it that
she is not now a den of heathen savages. He
must be ready to assume everything about them to be
true which is neither absurd, immoral, nor unsupported
by the same amount of evidence which he would require
for any other historic fact. And, just because
this very tone of mind—enthusiastic but
not idolatrous, discriminating but not captious—runs
through Mrs. Jameson’s work, we hail it with
especial pleasure, as a fresh move in a truly philosophic
and Christian direction. Indeed, for that branch
of the subject which she has taken in hand, not the
history, but the poetry of legends and of the art
which they awakened, she derives a peculiar fitness,
not merely from her own literary talents and acquaintance
with continental art, but also from the very fact of
her being an English wife and mother. Women
ought, perhaps, always to make the best critics—at
once more quicksighted, more tasteful, more sympathetic
than ourselves, whose proper business is creation.
Perhaps in Utopia they will take the reviewer’s
business entirely off our hands, as they are said
to be doing already, by-the-bye, in one leading periodical.
But of all critics an English matron ought to be
the best—open as she should be, by her womanhood,
to all tender and admiring sympathies, accustomed
by her Protestant education to unsullied purity of
thought, and inheriting from her race, not only freedom
of mind and reverence for antiquity, but the far higher
birthright of English honesty.
And such a genial and honest spirit, we think, runs
through this book.
Another difficult task, perhaps the most difficult
of all, the authoress has well performed. We
mean the handling of stories whose facts she partly
or wholly disbelieves, while she admires and loves
their spirit and moral; or doctrines, to pronounce
on whose truth or falsehood is beyond her subject.
This difficulty Mr. Newman, in the “Lives of
the English Saints,” edited and partly written
by him, turned with wonderful astuteness to the advantage
of Romanism; but others, more honest, have not been
so victorious. Witness the painfully uncertain
impression left by some parts of one or two of those
masterly articles on Romish heroes which appeared in
the “Quarterly Review;” an uncertainty
which we have the fullest reason to believe was most
foreign to the reviewer’s mind and conscience.
Even Mr. Macaulay’s brilliant history here and
there falls into the same snare. No one but
those who have tried it can be aware of the extreme
difficulty of preventing the dramatic historian from
degenerating into an apologist or heating into a sneerer;
or understand the ease with which an earnest author,
in a case like the present, becomes frantically reckless,
under the certainty that, say what he will, he will
be called a Jesuit by the Protestants, an Infidel
by the Papists, a Pantheist by the Ultra-High-Church,
and a Rogue by all three.