“Another amusement were large wheels, about thirty or forty feet in diameter, on the circumference of which were four and sometimes six boxes capable of holding four persons.  These are set in slow motion, and they gradually rise to the top of the wheel and as gradually descend and so on in succession.  There were various other machines on the same principle which I have not time to describe.

“In the centre of the square was an assemblage of everything in the world; theatres, wild beasts, lusus naturoe, mountebanks, buffoons, dancers on the slack wire, fighting and swearing, pocket-picking and stealing, music and dancing, and hubbub and confusion in every confused shape.

“The theatres are worth describing; they are temporary buildings put up and ornamented very richly on the exteriors to attract attention, while the interiors, like many persons’ heads, are but very poorly furnished.  Strolling companies of players occupy these, and between the plays the actors and actresses exhibit themselves on a stage before the theatre in all their spangled robes and false jewels, and strut and flourish about till the theatre is filled.

“Then they go in and turn, perhaps, a very serious tragedy into one of the most ridiculous farces.  They occupy about fifteen minutes in reciting a play and then a fresh audience is collected, and so they proceed through the three days and nights, so that the poor actors and actresses are killed about fifty times in the course of a day.

“A person who goes into one of these theatres must not expect to hear a syllable of the tragedy.  If he can look upon the stage it is as much as he can expect, for there is such a confused noise without of drums and fifes, clarionets, bassoons, hautboys, triangles, fiddles, bass-viols, and, in short, every possible instrument that can make a noise, that if a person gets safe from the fair without the total loss of his hearing for three weeks he may consider himself fortunate.  Contiguous to the theatres are the exhibition rooms of the jugglers and buffoons, who also between their exhibitions display their tricks on stages before the populace, and show as many antics as so many monkeys.  But were I to attempt a description of everything I saw at Bartholomew Fair my letter, instead of being a few sheets, would swell to as many quires; so I must close it.

“I shall probably soon witness an exhibition of a more interesting nature; I mean a coronation.  The King is now so very low that he cannot survive more than a week or two longer, and immediately on his death the ceremony of the coronation takes place.  If I should see it I shall certainly describe it to you.”

The King, George III, did not, however, die until 1820.

In a letter of September 20 to his parents he says:  “I endeavor to be as economical as possible and am getting into the habit very fast.  It must be learned by degrees.  I shall not say, as Salmagundi says,—­’I shall spare no expense in discovering the most economical way of spending money,’ but shall endeavor to practise it immediately.”