“I have begun my studies, the first part of which is drawing.  I am drawing from the head of Demosthenes at present, to get accustomed to handling black and white chalk.  I shall then commence a drawing for the purpose of trying to enter the Royal Academy.  It is a much harder task to enter now than when Mr. Allston was here, as they now require a pretty accurate knowledge of anatomy before they suffer them to enter, and I shall find the advantage of my anatomical lectures.  I feel rather encouraged from this circumstance, since the harder it is to gain admittance, the greater honor it will be should I enter.  I have likewise begun a large landscape which, at a bold push, I intend for the Exhibition, though I run the risk of being refused....

“I was introduced to Mr. West by Mr. Allston and likewise gave him your letter.  He was very glad to see me, and said he would render me every assistance in his power.”

“At the British Institution I saw his famous piece of Christ healing the sick.  He said to me:  ’This is the piece I intended for America, but the British would have it themselves; but I shall give America the better one.’  He has begun a copy, which I likewise saw, and there are several alterations for the better, if it is possible to be better.  A sight of that piece is worth a voyage to England of itself.  When it goes to America, if you don’t go to see it, I shall think you have not the least taste for paintings.”

“The encomiums which Mr. West has received on account of that piece have given him new life, and some say he is at least ten years younger.  He is now likewise about another piece which will probably be superior to the other.  He favored me with a sight of the sketch, which he said he granted to me because I was an American.  He had not shown it to anybody else.  Mr. Allston was with me and told me afterwards that, however superior his last piece was, this would far exceed it.  The subject is Christ before Pilate.  It will contain about fifty or sixty figures the size of life.”

“Mr. West is in his seventy-sixth year (I think), but, to see him, you would suppose him only about five-and-forty.  He is very active; a flight of steps at the British Gallery he ran up as nimbly as I could....  I walked through his gallery of paintings of his own productions; there were upward of two hundred, consisting principally of the original sketches of his large pieces.  He has painted in all upwards of six hundred pictures, which is more than any artist ever did with the exception of Rubens the celebrated Dutch painter....

“I was surprised on entering the gallery of paintings in the British Institution, at seeing eight or ten ladies as well as gentlemen, with their easels and palettes and oil colors, employed in copying some of the pictures.  You can see from this circumstance in what estimation the art is held here, since ladies of distinction, without hesitation or reserve, are willing to draw in public....