awaken a fresh emotion, and who were always grateful to anyone who aided them in their quest.  Several of the women left the table and gathered about the piano.  They watched my fingers and asked what kind of music it was that I was playing, where I had learned it, and a host of other questions.  It was only by being repeatedly called back to the table that they were induced to finish their dinner.  When the guests arose, I struck up my ragtime transcription of Mendelssohn’s “Wedding March,” playing it with terrific chromatic octave runs in the bass.  This raised everybody’s spirits to the highest point of gaiety, and the whole company involuntarily and unconsciously did an impromptu cake-walk.  From that time on until the time of leaving they kept me so busy that my arms ached.  I obtained a little respite when the girlish-looking youth and one or two of the ladies sang several songs, but after each of these it was “back to ragtime.”

In leaving, the guests were enthusiastic in telling the host that he had furnished them the most unusual entertainment they had ever enjoyed.  When they had gone, my millionaire friend—­for he was reported to be a millionaire—­said to me with a smile:  “Well, I have given them something they’ve never had before.”  After I had put on my coat and was ready to leave, he made me take a glass of wine; he then gave me a cigar and twenty dollars in bills.  He told me that he would give me lots of work, his only stipulation being that I should not play any engagements such as I had just filled for him, except by his instructions.  I readily accepted the proposition, for I was sure that I could not be the loser by such a contract.  I afterwards played for him at many dinners and parties of one kind or another.  Occasionally he “loaned” me to some of his friends.  And, too, I often played for him alone at his apartments.  At such times he was quite a puzzle to me until I became accustomed to his manners.  He would sometimes sit for three or four hours hearing me play, his eyes almost closed, making scarcely a motion except to light a fresh cigarette, and never commenting one way or another on the music.  At first I sometimes thought he had fallen asleep and would pause in playing.  The stopping of the music always aroused him enough to tell me to play this or that; and I soon learned that my task was not to be considered finished until he got up from his chair and said:  “That will do.”  The man’s powers of endurance in listening often exceeded mine in performing—­yet I am not sure that he was always listening.  At times I became so oppressed with fatigue and sleepiness that it took almost superhuman effort to keep my fingers going; in fact, I believe I sometimes did so while dozing.  During such moments this man sitting there so mysteriously silent, almost hid in a cloud of heavy-scented smoke, filled me with a sort of unearthly terror.  He seemed to be some grim, mute, but relentless tyrant, possessing over me a supernatural power which he used to drive me on mercilessly to exhaustion.  But these feelings came very rarely; besides, he paid me so liberally I could forget much.  There at length grew between us a familiar and warm relationship, and I am sure he had a decided personal liking for me.  On my part, I looked upon him at that time as about all a man could wish to be.