These balls were attended by a great variety of people.  They were generally given by the waiters of some one of the big hotels, and were often patronized by a number of hotel guests who came to “see the sights.”  The crowd was always noisy, but good-natured; there was much quadrille-dancing, and a strong-lunged man called figures in a voice which did not confine itself to the limits of the hall.  It is not worth the while for me to describe in detail how these people acted; they conducted themselves in about the same manner as I have seen other people at similar balls conduct themselves.  When one has seen something of the world and human nature, one must conclude, after all, that between people in like stations of life there is very little difference the world over.

However, it was at one of these balls that I first saw the cake-walk.  There was a contest for a gold watch, to be awarded to the hotel head-waiter receiving the greatest number of votes.  There was some dancing while the votes were being counted.  Then the floor was cleared for the cake-walk.  A half-dozen guests from some of the hotels took seats on the stage to act as judges, and twelve or fourteen couples began to walk for a sure enough, highly decorated cake, which was in plain evidence.  The spectators crowded about the space reserved for the contestants and watched them with interest and excitement.  The couples did not walk round in a circle, but in a square, with the men on the inside.  The fine points to be considered were the bearing of the men, the precision with which they turned the corners, the grace of the women, and the ease with which they swung around the pivots.  The men walked with stately and soldierly step, and the women with considerable grace.  The judges arrived at their decision by a process of elimination.  The music and the walk continued for some minutes; then both were stopped while the judges conferred; when the walk began again, several couples were left out.  In this way the contest was finally narrowed down to three or four couples.  Then the excitement became intense; there was much partisan cheering as one couple or another would execute a turn in extra elegant style.  When the cake was finally awarded, the spectators were about evenly divided between those who cheered the winners and those who muttered about the unfairness of the judges.  This was the cake-walk in its original form, and it is what the colored performers on the theatrical stage developed into the prancing movements now known all over the world, and which some Parisian critics pronounced the acme of poetic motion.