The Spectator, Volume 2. eBook

This eBook from the Gutenberg Project consists of approximately 1,123 pages of information about The Spectator, Volume 2..

The Spectator, Volume 2. eBook

This eBook from the Gutenberg Project consists of approximately 1,123 pages of information about The Spectator, Volume 2..

Every thing that is new or uncommon raises a Pleasure in the Imagination, because it fills the Soul with an agreeable Surprize, gratifies its Curiosity, and gives it an Idea of which it was not before possest.  We are indeed so often conversant with one Set of Objects, and tired out with so many repeated Shows of the same Things, that whatever is new or uncommon contributes a little to vary human Life, and to divert our Minds, for a while, with the Strangeness of its Appearance:  It serves us for a kind of Refreshment, and takes off from that Satiety we are apt to complain of in our usual and ordinary Entertainments.  It is this that bestows Charms on a Monster, and makes even the Imperfections of Nature [please [1]] us.  It is this that recommends Variety, where the Mind is every Instant called off to something new, and the Attention not suffered to dwell too long, and waste it self on any particular Object.  It is this, likewise, that improves what is great or beautiful, and make it afford the Mind a double Entertainment.  Groves, Fields, and Meadows, are at any Season of the Year pleasant to look upon, but never so much as in the Opening of the Spring, when they are all new and fresh, with their first Gloss upon them, and not yet too much accustomed and familiar to the Eye.  For this Reason there is nothing that more enlivens a Prospect than Rivers, Jetteaus, or Falls of Water, where the Scene is perpetually shifting, and entertaining the Sight every Moment with something that is new.  We are quickly tired with looking upon Hills and Vallies, where every thing continues fixed and settled in the same Place and Posture, but find our Thoughts a little agitated and relieved at the Sight of such Objects as are ever in Motion, and sliding away from beneath the Eye of the Beholder.

But there is nothing that makes its Way more directly to the Soul than Beauty, which immediately diffuses a secret Satisfaction and Complacency through the Imagination, and gives a Finishing to any thing that is Great or Uncommon.  The very first Discovery of it strikes the Mind with an inward Joy, and spreads a Chearfulness and Delight through all its Faculties.  There is not perhaps any real Beauty or Deformity more in one Piece of Matter than another, because we might have been so made, that whatsoever now appears loathsome to us, might have shewn it self agreeable; but we find by Experience, that there are several Modifications of Matter which the Mind, without any previous Consideration, pronounces at first sight Beautiful or Deformed.  Thus we see that every different Species of sensible Creatures has its different Notions of Beauty, and that each of them is most affected with the Beauties of its own Kind.  This is no where more remarkable than in Birds of the same Shape and Proportion, where we often see the Male determined in his Courtship by the single Grain or Tincture of a Feather, and never discovering any Charms but in the Colour of its Species.

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The Spectator, Volume 2. from Project Gutenberg. Public domain.