One cannot be quite certain as to the derivation of the Italian Greyhound. Its physical appearance naturally suggests a descent from the Gazehound of the ancients, with the added conjecture that it was purposely dwarfed for the convenience of being nursed in the lap. Greek art presents many examples of a very small dog of Greyhound type, and there is a probability that the diminutive breed was a familiar ornament in the atrium of most Roman villas. In Pompeii a dwarfed Greyhound was certainly kept as a domestic pet, and there is therefore some justification for the belief that the Italian prefix is not misplaced.
In very early times the Italian Greyhound was appreciated. Vandyck, Kneller, and Watteau frequently introduced the graceful figures of these dogs as accessories in their portraits of the Court beauties of their times, and many such portraits may be noticed in the galleries of Windsor Castle and Hampton Court. Mary, Queen of Scots is supposed to have been fond of the breed, as more surely were Charles I. and Queen Anne. Some of the best of their kind were in the possession of Queen Victoria at Windsor and Balmoral, where Sir Edwin Landseer transferred their graceful forms to canvas.
Among the more prominent owners of the present time are the Baroness Campbell von Laurentz, whose Rosemead Laura and Una are of superlative merit alike in outline, colour, style, length of head, and grace of action; Mrs. Florence Scarlett, whose Svelta, Saltarello, and Sola are almost equally perfect; Mrs. Matthews, the owner of Ch. Signor, our smallest and most elegant show dog; and Mr. Charlwood, who has exhibited many admirable specimens, among them Sussex Queen and Sussex Princess.
The Italian Greyhound Club of England has drawn up the following standard and scale of points:—
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GENERAL APPEARANCE—A miniature English Greyhound, more slender in all proportions, and of ideal elegance and grace in shape, symmetry, and action. HEAD—Skull long, flat and narrow. Muzzle very fine. Nose dark in colour. Ears rose shaped, placed well back, soft and delicate, and should touch or nearly touch behind the head. Eyes large, bright, and full of expression. BODY—Neck long and gracefully arched. Shoulders long and sloping. Back curved and drooping at the quarters. LEGS AND FEET—Fore-legs straight, well set under the shoulder; fine pasterns; small delicate bone. Hind-legs, hocks well let down; thighs muscular. Feet long—hare foot. TAIL, COAT AND