After supper that night Bennington found himself unaccountably alone in camp. Old Mizzou had wandered off up the gulch. Arthur had wandered off down the gulch. The woman had locked herself in her cabin.
So, having nothing else to do, he got out the manuscript of Aliris: A Romance of all Time, and read it through carefully from the beginning. To his surprise he found it very poor. Its language was felicitous in some spots, but stilted in most; the erudition was pedantic, and dragged in by the ears; the action was idiotic; and the proportions were padded until they no longer existed as proportions. He was astounded. He began to see that he had misconceived the whole treatment of it. It would have to be written all over again, with the love story as the ruling motif. He felt very capable of doing the love story. He drew some paper toward him and began to write.
You see he was already developing. Every time a writer is made to appreciate that his work is poor he has taken a step in advance of it. Although he did not know that was the reason of it, Bennington perceived the deficiencies of Aliris, because he had promised to read it to the girl. He saw it through her eyes.
The young man became absorbed in redescribing the heroine with violet eyes. A sudden slamming of the door behind him brought him, startled, to his feet. He laughed, and was about to sit down again, but noticed that the door had remained open. He arose to shut it. Over the trunks of the nearer pines played a strange flickering light, throwing them now into relief, now into shadow. “Strange!” murmured Bennington to himself, and stepped outside to investigate. As he crossed the sill he was seized on either side.
He cried out and struggled blindly, but was held as in a vice. His captors, whom he dimly perceived to be large men in masks, whirled him sharply to the left, and he found himself face to face with a third man, also masked. Beyond him were a score or so more, some of whom bore pine torches, which, partly blazing and partly smoking, served to cast the weird light he had seen flickering on the tree trunks. Perfect silence reigned. The man with whom Bennington was fronted eyed him gravely through the holes in his mask.
“I’d like to know what this means?” broke out the Easterner angrily.
The men did not reply. They stood motionless, as silent as the night. In spite of his indignation, the young man was impressed. He twisted his shoulders again. The men at either arm never tightened a muscle to resist, and yet he was held beyond the possibility of escape.
“What’s the matter? What’re you trying to do? Take your hands off me!” he cried.
Again the silence fell.
Then at the end of what seemed to the Easterner a full minute the masked figure in front spoke.
“Thar is them that thinks as how it ain’t noways needful thet ye knows,” it said in slow and solemn accents, “but by the mercy of th’ others we gives y’ thet much satisfaction.”