Stories from the Italian Poets: with Lives of the Writers, Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 338 pages of information about Stories from the Italian Poets.

Stories from the Italian Poets: with Lives of the Writers, Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 338 pages of information about Stories from the Italian Poets.

The blushing poet felt the reproof so deeply, that he could not speak for shame, though he manifested by his demeanour that he longed to do so, and thus obtained the pardon he despaired of.  He says he felt like a man that, during an unhappy dream, wishes himself dreaming while he is so, and does not know it.  Virgil understood his emotion, and, as Achilles did with his spear, healed the wound with the tongue that inflicted it.

A silence now ensued between the companions; for they had quitted Evil-budget, and arrived at the ninth great circle of hell, on the mound of which they passed along, looking quietly and steadily before them.  Daylight had given place to twilight; and Dante was advancing his head a little, and endeavouring to discern objects in the distance, when his whole attention was called to one particular spot, by a blast of a horn so loud, that a thunder clap was a whisper in comparison.  Orlando himself blew no such terrific blast, after the dolorous rout, when Charlemagne was defeated in his holy enterprise.[40] The poet raised his head, thinking he perceived a multitude of lofty towers.  He asked Virgil to what region they belonged; but Virgil said, “Those are no towers:  they are giants, standing each up to his middle in the pit that goes round this circle.”  Dante looked harder; and as objects clear up by little and little in the departing mist, he saw, with alarm, the tremendous giants that warred against Jove, standing half in and half out of the pit, like the towers that crowned the citadel of Monteseggione.  The one whom he saw plainest, and who stood with his arms hanging down on each side, appeared to him to have a face as huge as the pinnacle of St. Peter’s, and limbs throughout in proportion.  The monster, as the pilgrims were going by, opened his dreadful mouth, fit for no sweeter psalmody, and called after them, in the words of some unknown tongue, Rafel, maee amech zabee almee.[41] “Dull wretch!” exclaimed Virgil, “keep to thine horn, and so vent better whatsoever frenzy or other passion stuff thee.  Feel the chain round thy throat, thou confusion!  See, what a clenching hoop is about thy gorge!” Then he said to Dante, “His howl is its own mockery.  This is Nimrod, he through whose evil ambition it was that mankind ceased to speak one language.  Pass him, and say nothing; for every other tongue is to him, as his is to thee.”

The companions went on for about the length of a sling’s throw, when they passed the second giant, who was much fiercer and linger than Nimrod.  He was fettered round and round with chains, that fixed one arm before him and the other behind him—­Ephialtes his name, the same that would needs make trial of his strength against Jove himself.  The hands which he then wielded were now motionless, but he shook with passion; and Dante thought he should have died for terror, the effect on the ground about him was so fearful.  It surpassed that of a tower shaken by an earthquake.  The poet expressed a wish to look

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Stories from the Italian Poets: with Lives of the Writers, Volume 1 from Project Gutenberg. Public domain.