If King George the Third himself, with all his arbitrary notions, and willing religious acquiescence, could not endure the creed of St. Athanasius with its damnatory enjoinments of the impossible, what would have been said to the inscription over Dante’s hell-gate, or the account of Ugolino eating an archbishop, in the gentle chapels of Queen Victoria? May those chapels have every beauty in them, and every air of heaven, that painting and music can bestow—divine gifts, not unworthy to be set before their Divine Bestower; but far from them be kept the foul fiends of inhumanity and superstition!
It is certainly impossible to get at a thorough knowledge of the opinions of Dante even in theology; and his morals, if judged according to the received standard, are not seldom puzzling. He rarely thinks as the popes do; sometimes not as the Church does: he is lax, for instance, on the subject of absolution by the priest at death.[25] All you can be sure of is, the predominance of his will, the most wonderful poetry, and the notions he entertained of the degrees of vice and virtue. Towards the errors of love he is inclined to be so lenient (some think because he had indulged in them himself), that it is pretty clear he would not have put Paulo and Francesca into hell, if their story had not been too recent, and their death too sudden, to allow him to assume their repentance in the teeth of the evidence required. He avails himself of orthodox license to put “the harlot Rahab” into heaven ("cette bonne fille de Jericho,” as Ginguene calls her); nay, he puts her into the planet Venus, as if to compliment her on her profession; and one of her companions there