Stories from the Italian Poets: with Lives of the Writers, Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 338 pages of information about Stories from the Italian Poets.

Stories from the Italian Poets: with Lives of the Writers, Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 338 pages of information about Stories from the Italian Poets.
a monument; but such was the state of Italy in those times, that he himself died in exile the year after.  The monument, however, and one of a noble sort, was subsequently bestowed by the father of Cardinal Bembo, in 1483; and another, still nobler, as late as 1780, by Cardinal Gonzaga.  His countrymen, in after years, made two solemn applications for the removal of his dust to Florence; but the just pride of the Ravennese refused them.

Of the exile’s family, three sons died young; the daughter went into a nunnery; and the two remaining brothers, who ultimately joined their father in his banishment, became respectable men of letters, and left families in Ravenna; where the race, though extinct in the male line, still survives through a daughter, in the noble house of Serego Alighieri.  No direct descent of the other kind from poets of former times is, I believe, known to exist.

The manners and general appearance of Dante have been minutely recorded, and are in striking agreement with his character.  Boccaccio and other novelists are the chief relaters; and their accounts will be received accordingly with the greater or less trust, as the reader considers them probable; but the author of the Decameron personally knew some of his friends and relations, and he intermingles his least favourable reports with expressions of undoubted reverence.  The poet was of middle height, of slow and serious deportment, had a long dark visage, large piercing eyes, large jaws, an aquiline nose, a projecting under-lip, and thick curling hair—­an aspect announcing determination and melancholy.  There is a sketch of his countenance, in his younger days, from the immature but sweet pencil of Giotto; and it is a refreshment to look at it, though pride and discontent, I think, are discernible in its lineaments.  It is idle, and no true compliment to his nature, to pretend, as his mere worshippers do, that his face owes all its subsequent gloom and exacerbation to external causes, and that he was in every respect the poor victim of events—­the infant changed at nurse by the wicked.  What came out of him, he must have had in him, at least in the germ; and so inconsistent was his nature altogether, or, at any rate, such an epitome of all the graver passions that are capable of co-existing, both sweet and bitter, thoughtful and outrageous, that one is sometimes tempted to think he must have had an angel for one parent, and—­I shall leave his own toleration to say what—­for the other.

To continue the account of his manners and inclinations:  He dressed with a becoming gravity; was temperate in his diet; a great student; seldom spoke, unless spoken to, but always to the purpose; and almost all the anecdotes recorded of him, except by himself, are full of pride and sarcasm.  He was so swarthy, that a woman, as he was going by a door in Verona, is said to have pointed him out to another, with a remark which made the saturnine poet smile—­“That is the man who goes to hell whenever he pleases, and

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Stories from the Italian Poets: with Lives of the Writers, Volume 1 from Project Gutenberg. Public domain.