Each species or sort of chair, as we have said, has its varieties, and one species shades off by gradations into another. And—note it well—these numerous and successively slight variations and gradations, far from suggesting an accidental origin to chairs and to their forms, are very proofs of design.
Again, edifice is a generic category of thought. Egyptian, Grecian, Byzantine, and Gothic buildings are well-marked species, of which each individual building of the sort is a material embodiment. Now the question is, whether these categories of thought may not have been evolved, one from another, in succession, or from some primal, less specialized, edificial category. What better evidence for such hypothesis could we have than the variations and grades which connect one of these species with another? We might extend the parallel, and get some good illustrations of natural selection from the history of architecture, the probable origin of the different styles, and their adaptation to different climates and conditions. Two qualifying considerations are noticeable. One, that houses do not propagate, so as to produce continuing lines of each sort and variety; but this is of small moment on Agassiz’s view, he holding that genealogical connection is not of the essence of species at all. The other, that the formation and development of the ideas upon which human works proceed is gradual; or, as the same great naturalist well states it, “while human thought is consecutive, Divine thought is simultaneous.” But we have no right to affirm this of Divine action.
We must close here. We meant to review some of the more general scientific objections which we thought not altogether tenable. But, after all, we are not so anxious just now to know whether the new theory is well founded on facts as whether it would be harmless, if it were. Besides, we feel quite unable to answer some of these objections, and it is pleasanter to take up those which one thinks he can.