ANNE HATHAWAY’S COTTAGE.

[Illustration:  Anne Hathaway’s Cottage.]

This is another of Mr. Rider’s beautiful “Views to Illustrate the Life of Shakspeare,"[1]—­it being the exterior of the cottage in which the poet’s wife (whose maiden name was Hathaway) is said to have resided with her parents, in the village of Shottery, about a mile from Stratford-upon-Avon.

    [1] Merridew and Rider, Warwick and Leamington, and Goodhugh,
    Oxford-street, London.

Neither the exterior nor interior of this humble abode, says Mr. Rider, appears to have been subjected to any renovating process; and as there exists no reasonable ground for distrusting the fact of its having been the abode of Anne Hathaway, previous to her marriage with Shakspeare, it must ever be regarded as one of the most interesting relics connected with his history.  The occupier of the cottage in July, 1827, was an old woman, the widow of John Hathaway Taylor, whose mother was a Hathaway, and the last of the family of that name.

[Illustration]

The widow Taylor showed Mr. Rider the old carved bedstead, mentioned by “Ireland,” and assured him she perfectly recollected his purchasing of her mother-in-law the piece of furniture which had always been known by the designation of Shakspeare’s Courting-Chair.  From the wood-cut of this chair, given by Ireland in his “Views on the Avon,” Mr. Rider has been enabled to introduce it in his representation of the interior of the cottage.

We have accordingly detached it for a vignette, and as the throne where

                        The lover,
  Sighing like furnace, with woeful ballad
  Made to his mistress’ eye-brow—­

it will probably be acceptable to the most enthusiastic of Shakspeare’s admirers; not doubting that scores of our lady-friends will provide themselves with a chair of the same construction, if they would insure the fervour and sincerity of the poet’s love, or by association become more susceptible of his inspirations of the master-passion of humanity.

* * * * *

THE NOVELIST.

Antonelli;

(A Tale, from the German of Goethe.)

When I was in Italy, Antonelli, an opera-singer, was the favourite of the Neapolitan public.  Her youth, beauty, and talents insured her applause on the stage; nor was she deficient in any quality that could render her agreeable to a small circle of friends.  She was not indifferent either to love or praise; but her discretion was such as to enable her to enjoy both with becoming dignity.  Every young man of rank or fortune in Naples, was eager to be numbered among her suitors; few however, met with a favourable reception; and though she was, in the choice of her lovers, directed chiefly by her eyes and her heart, she displayed on all occasions a firmness, and stability of character, that never failed to engage even such as were indifferent to her favours.  I had frequent opportunities of seeing her, being on terms of the closest intimacy with one of her favoured admirers.