in length. From the main street, with its quaint
little shops sheltered from the sun by makeshift verandahs
of tattered sacking, weather-stained shingles, or
rotting bamboo mats, various little lanes and alleys
diverged, leading one into a collection of tumble-down
and ruinous huts, set up apparently by chance, and
presenting the most incongruous appearance that could
possibly be conceived. One or two pucca
houses, that is, houses of brick and masonry, shewed
where some wealthy Bunneah (trader) or usurious banker
lived, but the majority of the houses were of the
usual mud and bamboo order. There is a small thatched
hut where the meals were cooked, and where the owner
and his family could sleep during the rains.
Another smaller hut at right angles to this, gives
shelter to the family goat, or, if they are rich enough
to keep one, the cow. All round the villages
in India there are generally large patches of common,
where the village cows have free rights of pasture;
and all who can, keep either a cow or a couple of goats,
the milk from which forms a welcome addition to their
usual scanty fare. In this second hut also is
stored as much fuel, consisting of dried cow-dung,
straw, maize-stalks, leaves, etc., as can be collected;
and a ragged fence of bamboo or rahur[1] stalks
encloses the two unprotected sides, thus forming inside
a small court, quadrangle, or square. This court
is the native’s sanctum sanctorum.
It is kept scrupulously clean, being swept and garnished
religiously every day. In this the women prepare
the rice for the day’s consumption; here they
cut up and clean their vegetables, or their fish,
when the adjacent lake has been dragged by the village
fishermen. Here the produce of their little garden,
capsicums, Indian corn, onions or potatoes—perchance
turmeric, ginger, or other roots or spices—are
dried and made ready for storing in the earthen sun-baked
repository for the reception of such produce appertaining
to each household. Here the children play, and
are washed and tended. Here the maiden combs
out her long black hair, or decorates her bronzed
visage with streaks of red paint down the nose, and
a little antimony on the eyelids, or myrtle juice
on the finger and toe nails. Here, too, the matron,
or the withered old crone of a grandmother, spins
her cotton thread; or, in the old scriptural hand-mill,
grinds the corn for the family flour and meal; and
the father and the young men (when the sun is high
and hot in the heavens) take their noonday siesta,
or, the day’s labours over, cower round the
smoking dung fire of a cold winter night, and discuss
the prices ruling in the bazaar, the rise of rents,
or the last village scandal.