Yorkshire—Coast & Moorland Scenes eBook

This eBook from the Gutenberg Project consists of approximately 89 pages of information about Yorkshire—Coast & Moorland Scenes.

Yorkshire—Coast & Moorland Scenes eBook

This eBook from the Gutenberg Project consists of approximately 89 pages of information about Yorkshire—Coast & Moorland Scenes.
the moors are now majestically indistinct, and towards the west the browns, purples, and greens are all merged in one unfathomable blackness.  The tremendous silence and the desolation become almost oppressive, but overhead the familiar arrangement of the constellations gives a sense of companionship not to be slighted.  In something less than an hour a light glows in the distance, and, although the darkness is now complete, there is no further need to trouble ourselves with the thought of spending the night on the heather.  The point of light develops into a lighted window, and we are soon stamping our feet on the hard, smooth road in front of the Saltersgate Inn.  The door opens straight into a large stone-flagged room.  Everything is redolent of coaching days, for the cheery glow of the fire shows a spotlessly clean floor, old high-backed settles, a gun hooked to one of the beams overhead, quaint chairs and oak stools, and a fox’s mask and brush.  A gamekeeper is warming himself at the fire, for the evening is chilly, and the firelight falls on his box-cloth gaiters and heavy boots, as we begin to talk of the loneliness and the dangers of the moors, and of the snowstorms in winter, that almost bury the low cottages and blot out all but the boldest landmarks.  Soon we are discussing the superstitions which still survive among the simple country-folk, and the dark and lonely wilds we have just left make this a subject of great fascination.

Although we have heard it before, we hear over again with intense interest the story of the witch who brought constant ill-luck to a family in these parts.  Their pigs were never free from some form of illness, their cows died, their horses lamed themselves, and even the milk was so far under the spell that on churning-days the butter refused to come unless helped by a crooked sixpence.  One day, when as usual they had been churning in vain, instead of resorting to the sixpence, the farmer secreted himself in an outbuilding, and, gun in hand, watched the garden from a small opening.  As it was growing dusk he saw a hare coming cautiously through the hedge.  He fired instantly, the hare rolled over, dead, and almost as quickly the butter came.  That same night they heard that the old woman, whom they had long suspected of bewitching them, had suddenly died at the same time as the hare, and henceforward the farmer and his family prospered.

In the light of morning the isolation of the inn is more apparent than at night.  A compact group of stable buildings and barns stands on the opposite side of the road, and there are two or three lonely-looking cottages, but everywhere else the world is purple and brown with ling and heather.  The morning sun has just climbed high enough to send a flood of light down the steep hill at the back of the barns, and we can hear the hum of the bees in the heather.  In the direction of Levisham is Gallows Dyke, the great purple bluff we passed in the darkness, and a

Copyrights
Project Gutenberg
Yorkshire—Coast & Moorland Scenes from Project Gutenberg. Public domain.