Thoughts of this kind occurred to me yesterday when I saw the name of Lentulus in the obituary.  The majority of his acquaintances, I imagine, have always thought of him as a man justly unpretending and as nobody’s rival; but some of them have perhaps been struck with surprise at his reserve in praising the works of his contemporaries, and have now and then felt themselves in need of a key to his remarks on men of celebrity in various departments.  He was a man of fair position, deriving his income from a business in which he did nothing, at leisure to frequent clubs and at ease in giving dinners; well-looking, polite, and generally acceptable in society as a part of what we may call its bread-crumb—­the neutral basis needful for the plums and spice.  Why, then, did he speak of the modern Maro or the modern Flaccus with a peculiarity in his tone of assent to other people’s praise which might almost have led you to suppose that the eminent poet had borrowed money of him and showed an indisposition to repay?  He had no criticism to offer, no sign of objection more specific than a slight cough, a scarcely perceptible pause before assenting, and an air of self-control in his utterance—­as if certain considerations had determined him not to inform against the so-called poet, who to his knowledge was a mere versifier.  If you had questioned him closely, he would perhaps have confessed that he did think something better might be done in the way of Eclogues and Georgics, or of Odes and Epodes, and that to his mind poetry was something very different from what had hitherto been known under that name.

For my own part, being of a superstitious nature, given readily to imagine alarming causes, I immediately, on first getting these mystic hints from Lentulus, concluded that he held a number of entirely original poems, or at the very least a revolutionary treatise on poetics, in that melancholy manuscript state to which works excelling all that is ever printed are necessarily condemned; and I was long timid in speaking of the poets when he was present.  For what might not Lentulus have done, or be profoundly aware of, that would make my ignorant impressions ridiculous?  One cannot well be sure of the negative in such a case, except through certain positives that bear witness to it; and those witnesses are not always to be got hold of.  But time wearing on, I perceived that the attitude of Lentulus towards the philosophers was essentially the same as his attitude towards the poets; nay, there was something so much more decided in his mode of closing his mouth after brief speech on the former, there was such an air of rapt consciousness in his private hints as to his conviction that all thinking hitherto had been an elaborate mistake, and as to his own power of conceiving a sound basis for a lasting superstructure, that I began to believe less in the poetical stores, and to infer that the line of Lentulus lay rather in the rational criticism of our beliefs and in systematic construction.