The Essays of Arthur Schopenhauer; the Art of Controversy eBook

This eBook from the Gutenberg Project consists of approximately 105 pages of information about The Essays of Arthur Schopenhauer; the Art of Controversy.

The Essays of Arthur Schopenhauer; the Art of Controversy eBook

This eBook from the Gutenberg Project consists of approximately 105 pages of information about The Essays of Arthur Schopenhauer; the Art of Controversy.
will remains untamed.  Any strength that it may lose is due to the predominance of pure objective intelligence which is concerned with the contemplation of ideas, and is not, as in the case of the common or the bad man, wholly occupied with the objects of the will.  In the interval, when the genius is no longer engaged in the contemplation of ideas, and his intelligence is again applied to the will and its objects, the will is re-awakened in all its strength.  Thus it is that men of genius often have very violent desires, and are addicted to sensual pleasure and to anger.  Great crimes, however, they do not commit; because, when the opportunity of them offers, they recognise their idea, and see it very vividly and clearly.  Their intelligence is thus directed to the idea, and so gains the predominance over the will, and turns its course, as with the saint; and the crime is uncommitted.

The genius, then, always participates to some degree in the characteristics of the saint, as he is a man of the same qualification; and, contrarily, the saint always participates to some degree in the characteristics of the genius.

The good-natured character, which is common, is to be distinguished from the saintly by the fact that it consists in a weakness of will, with a somewhat less marked weakness of intellect.  A lower degree of the knowledge of the world as revealed in ideas here suffices to check and control a will that is weak in itself.  Genius and sanctity are far removed from good-nature, which is essentially weak in all its manifestations.

Apart from all that I have said, so much at least is clear.  What appears under the forms of time, space, and casuality, and vanishes again, and in reality is nothing, and reveals its nothingness by death—­this vicious and fatal appearance is the will.  But what does not appear, and is no phenomenon, but rather the noumenon; what makes appearance possible; what is not subject to the principle of causation, and therefore has no vain or vanishing existence, but abides for ever unchanged in the midst of a world full of suffering, like a ray of light in a storm,—­free, therefore, from all pain and fatality,—­this, I say, is the intelligence.  The man who is more intelligence than will, is thereby delivered, in respect of the greatest part of him, from nothingness and death; and such a man is in his nature a genius.

By the very fact that he lives and works, the man who is endowed with genius makes an entire sacrifice of himself in the interests of everyone.  Accordingly, he is free from the obligation to make a particular sacrifice for individuals; and thus he can refuse many demands which others are rightly required to meet.  He suffers and achieves more than all the others.

The spring which moves the genius to elaborate his works is not fame, for that is too uncertain a quality, and when it is seen at close quarters, of little worth.  No amount of fame will make up for the labour of attaining it: 

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The Essays of Arthur Schopenhauer; the Art of Controversy from Project Gutenberg. Public domain.