The Essays of Arthur Schopenhauer; the Art of Controversy eBook

This eBook from the Gutenberg Project consists of approximately 105 pages of information about The Essays of Arthur Schopenhauer; the Art of Controversy.

The Essays of Arthur Schopenhauer; the Art of Controversy eBook

This eBook from the Gutenberg Project consists of approximately 105 pages of information about The Essays of Arthur Schopenhauer; the Art of Controversy.

Men of no genius whatever cannot bear solitude:  they take no pleasure in the contemplation of nature and the world.  This arises from the fact that they never lose sight of their own will, and therefore they see nothing of the objects of the world but the bearing of such objects upon their will and person.  With objects which have no such bearing there sounds within them a constant note:  It is nothing to me, which is the fundamental base in all their music.  Thus all things seem to them to wear a bleak, gloomy, strange, hostile aspect.  It is only for their will that they seem to have any perceptive faculties at all; and it is, in fact, only a moral and not a theoretical tendency, only a moral and not an intellectual value, that their life possesses.  The lower animals bend their heads to the ground, because all that they want to see is what touches their welfare, and they can never come to contemplate things from a really objective point of view.  It is very seldom that unintellectual men make a true use of their erect position, and then it is only when they are moved by some intellectual influence outside them.

The man of intellect or genius, on the other hand, has more of the character of the eternal subject that knows, than of the finite subject that wills; his knowledge is not quite engrossed and captivated by his will, but passes beyond it; he is the son, not of the bondwoman, but of the free.  It is not only a moral but also a theoretical tendency that is evinced in his life; nay, it might perhaps be said that to a certain extent he is beyond morality.  Of great villainy he is totally incapable; and his conscience is less oppressed by ordinary sin than the conscience of the ordinary man, because life, as it were, is a game, and he sees through it.

The relation between genius and virtue is determined by the following considerations.  Vice is an impulse of the will so violent in its demands that it affirms its own life by denying the life of others.  The only kind of knowledge that is useful to the will is the knowledge that a given effect is produced by a certain cause.  Genius itself is a kind of knowledge, namely, of ideas; and it is a knowledge which is unconcerned with any principle of causation.  The man who is devoted to knowledge of this character is not employed in the business of the will.  Nay, every man who is devoted to the purely objective contemplation of the world (and it is this that is meant by the knowledge of ideas) completely loses sight of his will and its objects, and pays no further regard to the interests of his own person, but becomes a pure intelligence free of any admixture of will.

Where, then, devotion to the intellect predominates over concern for the will and its objects, it shows that the man’s will is not the principal element in his being, but that in proportion to his intelligence it is weak.  Violent desire, which is the root of all vice, never allows a man to arrive at the pure and disinterested contemplation of the world, free from any relation to the will, such as constitutes the quality of genius; but here the intelligence remains the constant slave of the will.

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The Essays of Arthur Schopenhauer; the Art of Controversy from Project Gutenberg. Public domain.