The Essays of Arthur Schopenhauer; the Art of Controversy eBook

This eBook from the Gutenberg Project consists of approximately 105 pages of information about The Essays of Arthur Schopenhauer; the Art of Controversy.

The Essays of Arthur Schopenhauer; the Art of Controversy eBook

This eBook from the Gutenberg Project consists of approximately 105 pages of information about The Essays of Arthur Schopenhauer; the Art of Controversy.
confirming the truth of our statement.  In this way we are almost compelled to become dishonest; or, at any rate, the temptation to do so is very great.  Thus it is that the weakness of our intellect and the perversity of our will lend each other mutual support; and that, generally, a disputant fights not for truth, but for his proposition, as though it were a battle pro aris et focis.  He sets to work per fas et nefas; nay, as we have seen, he cannot easily do otherwise.  As a rule, then, every man will insist on maintaining whatever he has said, even though for the moment he may consider it false or doubtful.[1]

[Footnote 1:  Machiavelli recommends his Prince to make use of every moment that his neighbour is weak, in order to attack him; as otherwise his neighbour may do the same.  If honour and fidelity prevailed in the world, it would be a different matter; but as these are qualities not to be expected, a man must not practise them himself, because he will meet with a bad return.  It is just the same in a dispute:  if I allow that my opponent is right as soon as he seems to be so, it is scarcely probable that he will do the same when the position is reversed; and as he acts wrongly, I am compelled to act wrongly too.  It is easy to say that we must yield to truth, without any prepossession in favour of our own statements; but we cannot assume that our opponent will do it, and therefore we cannot do it either.  Nay, if I were to abandon the position on which I had previously bestowed much thought, as soon as it appeared that he was right, it might easily happen that I might be misled by a momentary impression, and give up the truth in order to accept an error.]

To some extent every man is armed against such a procedure by his own cunning and villainy.  He learns by daily experience, and thus comes to have his own natural Dialectic, just as he has his own natural Logic.  But his Dialectic is by no means as safe a guide as his Logic.  It is not so easy for any one to think or draw an inference contrary to the laws of Logic; false judgments are frequent, false conclusions very rare.  A man cannot easily be deficient in natural Logic, but he may very easily be deficient in natural Dialectic, which is a gift apportioned in unequal measure.  In so far natural Dialectic resembles the faculty of judgment, which differs in degree with every man; while reason, strictly speaking, is the same.  For it often happens that in a matter in which a man is really in the right, he is confounded or refuted by merely superficial arguments; and if he emerges victorious from a contest, he owes it very often not so much to the correctness of his judgment in stating his proposition, as to the cunning and address with which he defended it.

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The Essays of Arthur Schopenhauer; the Art of Controversy from Project Gutenberg. Public domain.