Such now being, at that time, the usages of mail-coaches, what was to be done by us of young Oxford? We, the most aristocratic of people, who were addicted to the practice of looking down superciliously even upon the insides themselves as often very suspicious characters, were we voluntarily to court indignities? If our dress and bearing sheltered us, generally, from the suspicion of being “raff,” (the name at that period for “snobs,"[4]) we really were such constructively, by the place we assumed. If we did not submit to the deep shadow of eclipse, we entered at least the skirts of its penumbra. And the analogy of theatres was urged against us, where no man can complain of the annoyances incident to the pit or gallery, having his instant remedy in paying the higher price of the boxes. But the soundness of this analogy we disputed. In the case of the theatre, it cannot be pretended that the inferior situations have any separate attractions, unless the pit suits the purpose of the dramatic reporter. But the reporter or critic is a rarity. For most people, the sole benefit is in the price. Whereas, on the contrary, the outside of the mail had its own incommunicable advantages. These we could not forego. The higher price we should willingly have paid, but that was connected with the condition of riding inside, which was insufferable. The air, the freedom of prospect, the proximity to the horses, the elevation of seat—these were what we desired; but, above all, the certain anticipation of purchasing occasional opportunities of driving.