was preserved well pickled in the Roman temple of Vesta.  With the lying disposition of a poet these chroniclers of rank combine all the tiresome exactness of a notary, and treat their great subject throughout with the dulness which necessarily results from the elimination at once of all poetical and all historical elements.  When we read, for instance, in Piso that Romulus avoided indulging in his cups when he had a sitting of the senate next day; or that Tarpeia betrayed the Capitol to the Sabines out of patriotism, with a view to deprive the enemy of their shields; we cannot be surprised at the judgment of intelligent contemporaries as to all this sort of scribbling, “that it was not writing history, but telling stories to children.”  Of far greater excellence were isolated works on the history of the recent past and of the present, particularly the history of the Hannibalic war by Lucius Caelius Antipater (about 633) and the history of his own time by Publius Sempronius Asellio, who was a little younger.  These exhibited at least valuable materials and an earnest spirit of truth, in the case of Antipater also a lively, although strongly affected, style of narrative; yet, judging from all testimonies and fragments, none of these books came up either in pithy form or in originality to the “Origines” of Cato, who unhappily created as little of a school in the field of history as in that of politics.

Memoirs and Speeches

The subordinate, more individual and ephemeral, species of historical literature—­memoirs, letters, and speeches—­were strongly represented also, at least as respects quantity.  The first statesmen of Rome already recorded in person their experiences:  such as Marcus Scaurus (consul in 639), Publius Rufus (consul in 649), Quintus Catulus (consul in 652), and even the regent Sulla; but none of these productions seem to have been of importance for literature otherwise than by the substance of their contents.  The collection of letters of Cornelia, the mother of the Gracchi, was remarkable partly for the classical purity of the language and the high spirit of the writer, partly as the first correspondence published in Rome, and as the first literary production of a Roman lady.  The literature of speeches preserved at this period the stamp impressed on it by Cato; advocates’ pleadings were not yet looked on as literary productions, and such speeches as were published were political pamphlets.  During the revolutionary commotions this pamphlet-literature increased in extent and importance, and among the mass of ephemeral productions there were some which, like the Philippics of Demosthenes and the fugitive pieces of Courier, acquired a permanent place in literature from the important position of their authors or from their own weight.  Such were the political speeches of Gaius Laelius and of Scipio Aemilianus, masterpieces of excellent Latin as of the noblest patriotism; such were the gushing speeches of Gaius Titius, from whose pungent pictures of the place and the time—­his description of the senatorial juryman has been given already(31)—­the national comedy borrowed various points; such above all were the numerous orations of Gaius Gracchus, whose fiery words preserved in a faithful mirror the impassioned earnestness, the aristocratic bearing, and the tragic destiny of that lofty nature.