Character Writings of the 17th Century eBook

This eBook from the Gutenberg Project consists of approximately 591 pages of information about Character Writings of the 17th Century.

Character Writings of the 17th Century eBook

This eBook from the Gutenberg Project consists of approximately 591 pages of information about Character Writings of the 17th Century.
him, as they correct boys in Scotland, by stretching their lugs without remorse.  He is like an earwig; when he gets within a man’s ear he is not easily to be got out again.  He will stretch a story as unmercifully as he does the ears of those he tells it to, and draw it out in length like a breast of mutton at the Hercules pillars, or a piece of cloth set on the tenters, till it is quite spoiled and good for nothing.  If he be an orator that speaks distincte et ornate, though not apte, he delivers his circumstances with the same mature deliberation that one that drinks with a gusto swallows his wine, as if he were loth to part with it sooner than he must of necessity; or a gamester that pulls the cards that are dealt him one by one, to enjoy the pleasure more distinctly of seeing what game he has in his hand.  He takes so much pleasure to hear himself speak, that he does not perceive with what uneasiness other men endure him, though they express it ever so plainly; for he is so diverted with his own entertainment of himself, that he is not at leisure to take notice of any else.  He is a siren to himself, and has no way to escape shipwreck but by having his mouth stopped instead of his ears.  He plays with his tongue as a cat does with her tail, and is transported with the delight he gives himself of his own making.  He understands no happiness like that of having an opportunity to show his abilities in public, and will venture to break his neck to show the activity of his eloquence; for the tongue is not only the worst part of a bad servant, but of an ill master that does not know how to govern it; for then it is like Guzman’s wife, very headstrong and not sure of foot.

A DISPUTANT

Is a holder of arguments, and wagers too, when he cannot make them good.  He takes naturally to controversy, like fishes in India that are said to have worms in their heads and swim always against the stream.  The greatest mastery of his art consists in turning and winding the state of the question, by which means he can easily defeat whatsoever has been said by his adversary, though excellently to the purpose, like a bowler that knocks away the jack when he sees another man’s bowl lie nearer to it than his own.  Another of his faculties is with a multitude of words to render what he says so difficult to be recollected that his adversary may not easily know what he means, and consequently not understand what to answer, to which he secretly reserves an advantage to reply by interpreting what he said before otherwise than he at first intended it, according as he finds it serve his purpose to evade whatsoever shall be objected.  Next to this, to pretend not to understand, or misinterpret what his antagonist says, though plain enough, only to divert him from the purpose, and to take occasion from his exposition of what he said to start new cavils on the bye and run quite away from the question; but when he finds himself pressed home

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Character Writings of the 17th Century from Project Gutenberg. Public domain.