Her draught reacheth to good manners, not to thirst,
and it is a part of their mystery not to profess hunger;
but nature takes her in private and stretcheth her
upon meat. She is marriageable and fourteen at
once, and after she doth not live but tarry.
She reads over her face every morning, and sometimes
blots out pale and writes red. She thinks she
is fair, though many times her opinion goes alone,
and she loves her glass and the knight of the sun
for lying. She is hid away all but her face, and
that’s hanged about with toys and devices, like
the sign of a tavern, to draw strangers. If she
show more she prevents desire, and by too free giving
leaves no gift. She may escape from the serving-man,
but not from the chambermaid. Her philosophy
is a seeming neglect of those that be too good for
her. She’s a younger brother for her portion,
but not for her portion for wit—that comes
from her in treble, which is still too big for it;
yet her vanity seldom matcheth her with one of her
own degree, for then she will beget another creature
a beggar, and commonly, if she marry better she marries
worse. She gets much by the simplicity of her
suitor, and for a jest laughs at him without one.
Thus she dresses a husband for herself, and after
takes him for his patience, and the land adjoining,
ye may see it, in a serving-man’s fresh napery,
and his leg steps into an unknown stocking. I
need not speak of his garters, the tassel shows itself.
If she love, she loves not the man, but the best of
him. She is Salomon’s cruel creature, and
a man’s walking consumption; every caudle she
gives him is a purge. Her chief commendation is,
she brings a man to repentance.
HER NEXT PART.
Her lightness gets her to swim at top of the table,
where her wry little finger bewrays carving; her neighbours
at the latter end know they are welcome, and for that
purpose she quencheth her thirst. She travels
to and among, and so becomes a woman of good entertainment,
for all the folly in the country comes in clean linen
to visit her; she breaks to them her grief in sugar
cakes, and receives from their mouths in exchange
many stories that conclude to no purpose. Her
eldest son is like her howsoever, and that dispraiseth
him best; her utmost drift is to turn him fool, which
commonly she obtains at the years of discretion.
She takes a journey sometimes to her niece’s
house, but never thinks beyond London. Her devotion
is good clothes—they carry her to church,
express their stuff and fashion, and are silent if
she be more devout; she lifts up a certain number
of eyes instead of prayers, and takes the sermon,
and measures out a nap by it, just as long. She
sends religion afore to sixty, where she never overtakes
it, or drives it before her again. Her most necessary
instruments are a waiting gentlewoman and a chambermaid;
she wears her gentlewoman still, but most often leaves
the other in her chamber window. She hath a little
kennel in her lap, and she smells the sweeter for
it. The utmost reach of her providence is the
fatness of a capon, and her greatest envy is the next
gentlewoman’s better gown. Her most commendable
skill is to make her husband’s fustian bear
her velvet. This she doth many times over, and
then is delivered to old age and a chair, where everybody
leaves her.