wear purple and fine linen. I should be a woful
disappointment to Mistress Plum: for I like beer
with my beef, and a heart-easing tug at my pipe afterwards;
and as for the album, we should never get along at
all, for I have too much respect for poetry to write
it for nothing. But if I have not wholly escaped
the shiftlessness and improvidence of my vocation,—if
I have never rightly comprehended the noble maxim,
“A penny saved is a penny gained,” (which
cannot in rigid mathesis be true, because by saving
the penny you miss the enjoyment: that is, half-and-half,
chops, or cheese, which the penny aforesaid would
purchase; so that the penny saved is no better than
pebbles which you may gather by the bushel upon any
shore,)—if I like to haunt Old Tom’s,
and talk of politics and poetry with the dear shabby
set who nightly gather there, and are so fraternally
blind to the holes in each other’s coats,—why
it is all a matter between myself and Mrs. Potter,
and perhaps the clock. We have a good, stout,
manly supper,—no Apician kickshaws, the
triumphs of palate-science,—no nightingales’
tongues, no peacocks’ brains, no French follies,—but
just a rasher or so, in its naked and elegant simplicity.
Montaigne’s cook, who treated of his art with
a settled countenance and magisterial gravity, would
have turned his nose skyward at our humble repast;
and he would have cast like scorn upon that to which
Milton with such charming grace invited his friend,
in one of those matchless sonnets which make us weep
to think that the author did not write a hundred of
them. But Montaigne’s cook may follow his
first master, the late Cardinal Caraffa, to that place
where there will always be fire for his saucepans!
The epicures of Old Tom’s would deal very crisply
with that spit-bearing Italian, or his shade, should
it appear to them. We are not very polished, but
most of us could give hints to men richer than we
can hope to be of a wiser use of money than the world
is in any danger of witnessing. There is Old
Sanders, the proof-reader,—“Illegitimate
S.” we call him,—who knows where
there is an exquisite black-letter Chaucer which he
pants to possess, and which he would possess, were
it not for a fear of Mrs. Sanders and a tender love
of the little Sanderses. There is young Smooch,—he
who smashed the Fly-Gallery in “The Mahlstick”
newspaper, and was not for a moment taken in by the
new Titian. There is Crosshatch, who has the
marvellous etching by Rembrandt, of which there are
only three copies in the world, and which he will not
sell,—no, Sir,—not to the British
Museum. There is Mr. Brevier Lead, who has in
my time successively and successfully smitten and smashed
all the potentates, big and little, of Europe, and
who has in his museum a wooden model of the Alsop
bomb. Give them money, and Sanders will rebuild
and refurnish the Alexandrian Library,—Smooch
will bid every young painter in America reset his
palette and try again,—and Brevier Lead
will be fool enough to start a newspaper upon his own