SMILES AND TEARS

The sala of the Pansiteria Macanista de Buen Gusto [54] that night presented an extraordinary aspect.  Fourteen young men of the principal islands of the archipelago, from the pure Indian (if there be pure ones) to the Peninsular Spaniard, were met to hold the banquet advised by Padre Irene in view of the happy solution of the affair about instruction in Castilian.  They had engaged all the tables for themselves, ordered the lights to be increased, and had posted on the wall beside the landscapes and Chinese kakemonos this strange versicle: 

“GLORY TO CUSTODIO FOR HIS CLEVERNESS AND PANSIT ON EABTH TO THE YOUTHS OF GOOD WILL.”

In a country where everything grotesque is covered with a mantle of seriousness, where many rise by the force of wind and hot air, in a country where the deeply serious and sincere may do damage on issuing from the heart and may cause trouble, probably this was the best way to celebrate the ingenious inspiration of the illustrious Don Custodio.  The mocked replied to the mockery with a laugh, to the governmental joke with a plate of pansit, and yet—!

They laughed and jested, but it could be seen that the merriment was forced.  The laughter had a certain nervous ring, eyes flashed, and in more than one of these a tear glistened.  Nevertheless, these young men were cruel, they were unreasonable!  It was not the first time that their most beautiful ideas had been so treated, that their hopes had been defrauded with big words and small actions:  before this Don Custodio there had been many, very many others.

In the center of the room under the red lanterns were placed four round tables, systematically arranged to form a square.  Little wooden stools, equally round, served as seats.  In the middle of each table, according to the practise of the establishment, were arranged four small colored plates with four pies on each one and four cups of tea, with the accompanying dishes, all of red porcelain.  Before each seat was a bottle and two glittering wine-glasses.

Sandoval was curious and gazed about scrutinizing everything, tasting the food, examining the pictures, reading the bill of fare.  The others conversed on the topics of the day:  about the French actresses, about the mysterious illness of Simoun, who, according to some, had been found wounded in the street, while others averred that he had attempted to commit suicide.  As was natural, all lost themselves in conjectures.  Tadeo gave his particular version, which according to him came from a reliable source:  Simoun had been assaulted by some unknown person in the old Plaza Vivac, [55] the motive being revenge, in proof of which was the fact that Simoun himself refused to make the least explanation.  From this they proceeded to talk of mysterious revenges, and naturally of monkish pranks, each one relating the exploits of the curate of his town.

A notice in large black letters crowned the frieze of the room with this warning: