In the case of mighty conquerors, whose path was strewn with violence, even lust, no one thinks of an ignoble origin as in any manner derogatory to the eminence; on the contrary, it is considered rather as matter to be proud of; the idea that out of ignominy, surrounded by conditions devoid of all decency, justice, and piety, an individual can elevate himself up to the highest pinnacle of human power and glory, has always, and will always be regarded as an example to be followed, and the badge of success stretched to cover the means of its attainment.  This is the universal custom where success has been attained, the failures being relegated to a well merited oblivion as unworthy of consideration either as lessons of warning or for any purpose.  Our youth are very properly taught only the lessons of success.

It is in evidence that Ninon’s father was a gentleman of Touraine and connected, through his wife, with the family of Abra de Raconis, a race of no mean repute in the Orleanois, and that he was an accomplished gentleman occupying a high position in society.  Voltaire, however, declares that Ninon had no claim to a parentage of such distinction; that the rank of her mother was too obscure to deserve any notice, and that her father’s profession was of no higher dignity than that of a teacher of the lute.  This account is not less likely, from the remarkable proficiency acquired by Ninon, at an early age, in the use of that instrument.

It is equally certain, however, that Ninon’s parents were not obscure, and that her father was a man of many accomplishments, one of which was his skill as a performer on the lute.  A fact which may have induced Voltaire to mistake one of his talents for his regular profession.

Ninon’s parents were as opposite in sentiments and disposition as the Poles of the earth.  Madame de l’Enclos was a prudent, pious Christian mother, who endeavored to inspire her daughter with the same pious sentiments which pervaded her own heart.  The fact is that the mother attempted to prepare her daughter for a conventual life, a profession at that period of the highest honor, and one that led to preferment, not only in religious circles, but in the world of society.  At that time, conventual and monastic dignitaries occupied a prominent place in the formation of public and private manners and customs, and if not regarded impeccable, their opinions were always considered valuable in state matters of the greatest moment, even the security of thrones, the welfare and peace of nations sometimes depending upon their wisdom, judgment, and decisions.

With this laudable object in view, Madame de l’Enclos carefully trained her daughter in the holy exercises of her religion, to which she hoped to consecrate her entire life.  But the fond mother met with an impasse, an insurmountable obstacle, in the budding Ninon herself, who, even in the temples of the Most High, when her parent imagined her to be absorbed in the contemplation of saintly things, and imbibing inspiration from her “Hours,” the “Lives of the Saints,” or “An Introduction to a Holy Life,” a book very much in vogue at that period, the child would be devouring such profane books as Montaigne, Scarron’s romances and Epicurus, as more in accordance with her trend of mind.