Octavius, when he did affect
the Empire,
And strove to tread upon the
neck of Rome
And all her ancient freedoms,
took that course
That now is practised on you;
for the Catos,
And all free spirits slain
or else proscribed,
That durst have stirred against
him, he then seized
The Absolute rule of all.
You can apply this. p. 292.
In a note Mr. Bullen informs us, that “You can apply this” is crossed through. He does not state whether there is anything to show that this was done by Sir George Buck, Master of the Revels, and consequently Censor for the Stage. But this would appear to be the case, the more so as the present play seems to have raised scruples in many places in the mind of the dramatic Cerberus. It is hardly possible to imagine that the spectators did not apply the “free spirits” to Raleigh, and the “Catos” to those members who were shortly after to be imprisoned on account of a memorable protest entered in the journals of the House, which Octavius, who was trying to seize the absolute rule of all, tore out with his own royal hands. There is a peculiar fitness in this hit at James as Octavius which probably did not escape the audience. There is another passage, on p. 253, which, singular to say, seems to have escaped the notice of the Censor:—
Such mild proceedings in a
Government
New settled, whose main power
had its dependence
Upon the power of some particular
men,
Might be given way to, but
in ours it were
Unsafe and scandalous.
Vandort, the speaker here, is opposing the idea of mercy to Barnavelt. The language is very mild, but receives a peculiar shade of meaning when read in connexion with the following passage by Massinger from the Virgin Martyr, I. 1, 236:—
In
all growing empires
Even cruelty is useful; some
must suffer
And be set up examples to
strike terror
In others, though far off:
but when a state
Is raised to her perfection,
and her bases
Too firm to shrink, or yield,
we may use mercy
And do’t with safety.