profound thought to the intellectual problems and
spiritual aspirations of his era. Nor does the
Memoir, as a revelation of the poet’s intellectual
and personal life, fall away, on any page of it, from
the high plane on which it has been prepared and written.
There is no undue invasion, which a son’s pride
might be apt to make, of domestic privacy, and no dealing
with irrelevant topics or elaboration of those set
forth with becoming modesty and restraint; far less
is there the discussion of any subject, for a trivial
or vain purpose. Throughout the work we meet with
no unnecessary lifting of veils or treatment of themes
merely to satisfy morbid curiosity. Everywhere
there is the evidence of sound judgment, unimpeachable
taste, and a wholesome sanity. This is especially
the case in the frank revelation of the poet’s
views on religion and his attitude towards scientific
and theological thought, to which we have ourselves
referred. In this respect, a large debt is due
to the biographer for setting before the reader, not
only the high ethical purpose which Tennyson had in
view in selecting the themes of his poems and in the
mode of handling them, but, as we have said, in showing
us what beyond peradventure were his religious opinions,
and, despite a certain curtaining of gloom, how profoundly
he was influenced by faith in the Divine life.
Nor is the least interest in the Memoir to be found
in the light the biographer throws on the poet’s
writings as a whole—how they were conceived
and elaborated, and on the often hidden meaning that
underlies some of the most thoughtful verse. This,
to students of the Laureate’s writings, is of
high value, in addition to the service rendered by
the biographer in tracing in his father’s poetic
work the influences which fashioned it and the pains
he took to give it its marvellous beauty and artistic
finish of expression.
It is this instructive as well as skilled and dignified
treatment, with the vast literary and deep personal
interest in the life, that will commend the Memoir
to all who are proud of the Laureate’s fame,
and wished to have nothing written that was unworthy
of either the poet or the man, or that would in the
least detract from his laurels. Nor does the
restraint which the biographer imposes upon himself
conceal from us the man in his human aspects, or lead
him to set before the reader an imaginary, rather
than a veritable and real, portraiture. We have
a picture, it is true, of an almost ideal domestic
life, and of a man of rare gifts and fine culture,
whose work and career have been and are the pride
and glory of the English-speaking race. But we
have also the story of an author not free from human
weaknesses, and though endowed with manifold and great
gifts, yet who had to labor long and earnestly to
perfect himself in his art, and in his early years
had much discouragement and not a little adversity
to contend with. With all the toil and stress
his early years had known, when success came to the
poet no one was less unspoiled by it; and when sunshine
fell upon and gilded his life, maturing years brought
him serenity, happiness, and, at length, peace.