Robert Buchanan,
poet, novelist, and playwright, was born on
Aug. 18, 1841, at Caverswall,
Staffordshire, England, the son
of a poor journeyman
tailor from Ayrshire, in Scotland, who
wrote poetry, and wandered
about the country preaching
socialism of the Owen
type, afterwards editing a Glasgow
journal. Owing,
perhaps, in part to his very unconventional
training, Robert Buchanan
entered on life with a strange
freshness of vision.
Nothing in ordinary human life seemed
common or mean to him,
and this sense of wonder, combined with
a power of judgment
much steadier than his father’s, made him
a poet of considerable
genius. “Undertones,” published in
1863, and “Idylls
and Legends of Inverburn,” which appeared
two years later, made
him famous. The same qualities which he
displayed in his poetry
Buchanan exhibited in his earliest and
best novels. “The
Shadow of the Sword,” published in 1876, was
originally conceived
as a poem, and it still remains one of
the best of modern English
prose romances. In his latter years
Robert Buchanan, tortured
by the long and painful illness of
his beautiful and gentle
wife, wrote a considerable amount of
work with no literary
merit; but this does not diminish the
value of his best and
earliest work, which undoubtedly
entitles him to a place
of importance in English literature.
He died on June 10,
1901.
I.—The King of the Conscripts
“Rohan Gwenfern!” cried the sergeant, in a voice that rang like a trumpet through the length of the town hall.
No one answered. The crowd of young Kromlaix men looked at each other in consternation. Was the handsomest, the strongest, and the most daring lad in their village a coward? It was the dark year of 1813, when Napoleon was draining France of all its manhood. Even the only sons of poor widowed women, such as Rohan Gwenfern was, were no longer exempted from conscription. Having lost half a million men amid the snows of Russia, Napoleon had called for 200,000 more soldiers, and the little Breton fishing village of Kromlaix had to provide twenty-five recruits.
“Rohan Gwenfern!” cried the sergeant again.
The mayor rose up behind the ballot-box on the large table, about which the villagers were gathered, and looked around in vain for the splendid figure of the young fisherman.
“Where is your nephew?” he said to Corporal Derval, in an angry voice.
Derval, one of Napoleon’s veterans, who had been pensioned after losing his leg at Austerlitz, looked at his pretty niece, Marcelle, with a strange pallor on his furrowed, sunburnt face.
“Rohan was too ill to come,” said Marcelle, with a troubled look in her sweet grey eyes. “I will draw in his name.”
“Very well, my pretty lass,” said the mayor, his grim face softening into a smile as he looked at the beautiful girl, “you shall draw for him, and bring him luck.”