Yule’s work on Burma was largely illustrated by his own sketches. One of these represents the King’s reception of the Embassy, and another, the King on his throne. The originals were executed by Yule’s ready pencil, surreptitiously within his cocked hat, during the audience.
From the latter sketch Yule had a small oil-painting executed under his direction by a German artist, then resident in Calcutta, which he gave to Lord Dalhousie.[38]
The Government of India marked their approval of the Embassy by an unusual concession. Each of the members of the mission received a souvenir of the expedition. To Yule was given a very beautiful and elaborately chased small bowl, of nearly pure gold, bearing the signs of the Zodiac in relief.[39]
On his return to Calcutta, Yule threw himself heart and soul into the work of his new appointment in the Public Works Department. The nature of his work, the novelty and variety of the projects and problems with which this new branch of the service had to deal, brought Yule into constant, and eventually very intimate association with Lord Dalhousie, whom he accompanied on some of his tours of inspection. The two men thoroughly appreciated each other, and, from first to last, Yule experienced the greatest kindness from Lord Dalhousie. In this intimacy, no doubt the fact of being what French soldiers call pays added something to the warmth of their mutual regard: their forefathers came from the same airt, and neither was unmindful of the circumstance. It is much to be regretted that Yule preserved no sketch of Lord Dalhousie, nor written record of his intercourse with him, but the following lines show some part of what he thought: