a name for one of his heroes, expressive of his lofty character, and the word Rodamonte coming into his head, he galloped back with a pleasant ostentation to his castle, crying it out aloud, and ordering the bells of the place to be rung in its holiour; to the astonishment of the good people, who took “Rodamonte” for some newly-discovered saint.  His friend Paganelli of Modena, who wrote a Latin poem on the Empire of Cupid, extolled the Governor of Reggio for ranking among the deity’s most generous vassals,—­one who, in spite of his office of magistrate, looked with an indulgent eye on errors to which himself was liable, and who was accustomed to prefer the study of love-verses to that of the law.  The learned lawyer, his countryman Panciroli, probably in resentment, as Panizzi says, of this preference, accused him of an excess of benignity, and of being fitter for writing poems than punishing ill deeds; and in truth, as the same critic observes, “he must have been considered crazy by the whole tribe of lawyers of that age,” if it be true that he anticipated the opinion of Beccaria, in thinking that no crime ought to be punished with death.

The great work of this interesting and accomplished person, the Orlando Innamorato, is an epic romance, founded on the love of the great Paladin for the peerless beauty Angelica, whose name has enamoured the ears of posterity.  The poem introduces us to the pleasantest paths in that track of reading in which Milton has told us that his “young feet delighted to wander.”  Nor did he forsake it in his age.

“Such forces met not, nor so wide a camp,
When Agrican with all his northern powers
Besieged Albracca, as romances tell,
The city of Gallaphrone, from whence to win
The fairest of her sex, Angelica.”

Paradise Regained.

The Orlando Innamorato may be divided into three principal portions:-the search for Angelica by Orlando and her other lovers; the siege of her father’s city Albracca by the Tartars; and that of Paris and Charlemagne by the Moors.  These, however, are all more or less intermingled, and with the greatest art; and there are numerous episodes of a like intertexture.  The fairies and fairy-gardens of British romance, and the fabulous glories of the house of Este, now proclaimed for the first time, were added by the author to the enchantments of Pulci, together with a pervading elegance; and had the poem been completed, we were to have heard again of the traitor Gan of Maganza, for the purpose of exalting the imaginary founder of that house, Ruggero.