On his return from Garfagnana, Ariosto is understood to have made several journeys in Italy, either with or without the duke his master; some of them to Mantua, where it has been said that he was crowned with laurel by the Emperor Charles the Fifth.  But the truth seems to be, that he only received a laureate diploma:  it does not appear that Charles made him any other gift.  His majesty, and the whole house of Este, and the pope, and all the other Italian princes, left that to be done by the imperial general, the celebrated Alfonso Davallos, Marquess of Vasto, to whom he was sent on some mission by the Duke of Ferrara, and who settled on him an annuity of a hundred golden ducats; “the only reward,” says Panizzi, “which we find to have been conferred on Ariosto expressly as a poet."[24] Davallos was one of the conquerors of Francis the First, young and handsome, and himself a writer of verses.  The grateful poet accordingly availed himself of his benefactor’s accomplishments to make him, in turn, a present of every virtue under the sun.  Caesar was not so liberal, Nestor so wise, Achilles so potent, Nireus so beautiful, nor even Ladas, Alexander’s messenger, so swift.[25] Ariosto was now verging towards the grave; and he probably saw in the hundred ducats a golden sunset of his cares.

Meantime, however, the poet had built a house, which, although small, was raised with his own money; so that the second edition of the Orlando may have realised some profits at last.  He recorded the pleasant fact in an inscription over the door, which has become celebrated: 

  “Parva, sed apta mihi; sed nulli obnoxia; sed non
    Sordida; parta meo sed tamen acre domus.” 
  Small, yet it suits me; is of no offence;
  Was built, not meanly, at my own expense.

What a pity (to compare great things with small) that he had not as long a life before him to enjoy it, as Gil Blas had with his own comfortable quotation over his retreat at Lirias![26]

The house still remains; but the inscription unfortunately became effaced; though the following one remains, which was added by his son Virginio: 

                 “Sic domus haec Areostea
  Propitios habeat deos, olim ut Pindarica.”

Dear to the gods, whatever come to pass,
Be Ariosto’s house, as Pindar’s was.

This was an anticipation—­perhaps the origin—­of Milton’s sonnet about his own house, addressed to “Captains and Collonels,” during the civil war.[27]

Davallos made the poet his generous present in the October of the year 1513; and in the same month of the year following the Orlando was published as it now stands, with various insertions throughout, chiefly stories, and six additional cantos.  Cardinal Ippolito had been dead some time; and the device of the beehive was exchanged for one of two vipers, with a hand and pair of shears cutting out their tongues, and the motto, “Thou hast preferred ill-will