Writers on the art of war distinguish between tactics, the art of winning a battle, and strategy, the art of designing and conducting the whole of the operations which constitute a campaign, of bringing about battles in conditions favourable to one’s own side and of making the best use of such victories as may be won for contributing to the general purpose of the war, which is dictating peace on one’s own terms.
The decision of the questions, how many fleets to send out, what is to be the strength and composition of each of them, and what the objectives assigned to their several commanders is a strategical decision. It is a function of the strategist at the Board of Admiralty, but the question how to handle any one of these fleets in the presence of the enemy so as either to avoid or to bring about an action and so as to win the battle, if a battle be desirable, is a question for the admiral commanding the particular fleet.
Evidently the master art, because it dominates the whole war, is that of strategy, and for that reason it must have a seat at the Admiralty Board.
As is well known, a large number of naval officers have for several years past been troubled with doubts as to the strategical competence displayed by the Board or Boards of Admiralty since 1904. The Board of Admiralty has also been criticised for other reasons, into some of which it is not necessary to enter, but it is desirable to state precisely the considerations which tend to show that important decisions made by the Admiralty have not been based upon sound strategical principles, and are, indeed, incompatible with them.
When four or five years ago it was decided to transfer the centre of gravity of the navy, as represented by fleets in commission, from the Mediterranean to the Atlantic coasts of Europe, that was a sound decision. But when the principal fleet in commission in home waters was reduced in order to facilitate the creation of a so-called Home Fleet, made up of a number of ships stationed at different ports, and manned for the most part by nucleus crews, the Admiralty announced this measure in a very remarkable circular. The change clearly involved a reduction of the number of men at sea, and also a reduction in the number of ships which would be immediately available under war conditions. It was further evident that the chief result of this measure would be a reduction of expenditure, yet the circular boldly stated that the object of the measure was to increase the power and readiness of the navy for instant war.