FEJEVARY: (stiffly) Very well, I will discontinue the argument I’m making now. I’ve been trying to save you from—pretty serious things. The regret of having stood in the way of Morton College—(his voice falling) the horror of having driven your father insane.
MADELINE: What?
FEJEVARY: One more thing would do it. Just the other day I was talking with Professor Holden about your father. His idea of him relates back to the pioneer life—another price paid for this country. The lives back of him were too hard. Your great-grandmother Morton—the first white woman in this region—she dared too much, was too lonely, feared and bore too much. They did it, for the task gave them a courage for the task. But it—left a scar.
MADELINE: And father is that—(can hardly say it)—scar. (fighting the idea) But Grandfather Morton was not like that.
FEJEVARY: No; he had the vision of the future; he was robust with feeling for others. (gently) But Holden feels your father is the—dwarfed pioneer child. The way he concentrates on corn—excludes all else—as if unable to free himself from their old battle with the earth.
MADELINE: (almost crying) I think it’s pretty terrible to—wish all that on poor father.
FEJEVARY: Well, my dear child, it’s life has ‘wished it on him’. It’s just one other way of paying the price for his country. We needn’t get it for nothing. I feel that all our chivalry should go to your father in his—heritage of loneliness.
MADELINE: Father couldn’t always have been—dwarfed. Mother wouldn’t have cared for him if he had always been—like that.
FEJEVARY: No, if he could have had love to live in. But no endurance for losing it. Too much had been endured just before life got to him.
MADELINE: Do you know, Uncle Felix—I’m afraid that’s true? (he nods) Sometimes when I’m with father I feel those things near—the—the too much—the too hard,—feel them as you’d feel the cold. And now that it’s different—easier—he can’t come into the world that’s been earned. Oh, I wish I could help him!
(As they sit there together, now for the first time really together, there is a shrill shout of derision from outside.)
MADELINE: What’s that? (a whistled call) Horace! That’s Horace’s call. That’s for his gang. Are they going to start something now that will get Atma in jail?
FEJEVARY: More likely he’s trying to start something. (they are both listening intently) I don’t think our boys will stand much more.
(A scoffing whoop. MADELINE springs to the window; he reaches it ahead and holds it.)
FEJEVARY: This window stays closed.
(She starts to go away, he takes hold of her.)
MADELINE: You think you can keep me in here?
FEJEVARY: Listen, Madeline—plain, straight truth. If you go out there and get in trouble a second time, I can’t make it right for you.