A
  CATALOGUE
  Of all the
  COMEDIES and TRAGEDIES

  Contained in this BOOK, in the same Order as Printed.

1 The Maids Tragedy.* 2 Philaster; or, Love lies a bleeding.* 3 A King or no King.* 4 The Scornful Lady.* 5 The Custom of the Country. 6 The Elder Brother.* 7 The Spanish Curate. 8 Wit without Money.* 9 The Beggars Bush. 10 The Humorous Lieutenant. 11 The Faithful Shepherdess.* 12 The Mad Lover. 13 The Loyal Subject. 14 Rule a Wife, and have a Wife.* 15 The Laws of Candy. 16 The False One. 17 The Little French Lawyer. 18 The Tragedy of Valentinian. 19 Monsieur Thomas.* 20 The Chances. 21 Rollo, Duke of Normandy.* 22 The Wild-Goose Chase. 23 A Wife for a Month. 24 The Lovers Progress. 25 The Pilgrim. 26 The Captain. 27 The Prophetess. 28 The Queen of Corinth. 29 The Tragedy of Bonduca. 30 The Knight of the Burning Pestle.* 31 Loves Pilgrimage. 32 The Double Marriage. 33 The Maid in the Mill. 34 The Knight of Maltha. 35 Loves Cure; or, the Martial Maid. 36 Women pleased. 37 The Night Walker; or, Little Thief.* 38 The Womans Prize; or, the Tamer tamed. 39 The Island Princess. 40 The Noble Gentleman. 41 The Coronation.* 42 The Coxcomb. 43 Sea-Voyage. 44 Wit at several Weapons. 45 The Fair Maid of the Inn. 46 Cupids Revenge.* 47 Two Noble Kinsmen.* 48 Thierry and Theodoret.* 49 The Woman-Hater.* 50 The nice Valour; or, the Passionate Madman. 51 The Honest Man’s Fortune.

A Mask at Grays-Inn, and the Inner Temple; Four Plays, or Moral Representations.

APPENDIX.

In the following references to the text the lines are numbered from the top of the page, including titles, acts, stage directions, &c., but not, of course, the headline.  Where, as in the lists of Persons Represented, there are double columns, the right-hand column is numbered after the left.

It has not been thought necessary to record the correction of every turned letter nor the substitution of marks of interrogation for marks of exclamation and vice versa:  the original compositor’s stock of each running low occasionally, he used the two signs somewhat indiscriminately.  Full-stops have been silently inserted at the ends of speeches and each fresh speaker has been given the dignity of a fresh line:  in the double-columned folio the speeches are frequently run on.  Only misprints of interest in the Quartos are recorded.

THE EPISTLE DEDICATORIE. p. x, l. 8. 1st Folio prints a comma after] not.

TO THE READER. p. xi, l. 6. 1st F omits the bracket.

THE STATIONER TO THE READERS. p. xiv, l. 33. 1st F prints] confessed it,

COMMENDATORY VERSES. p. xvii, l. 33. 1st F misprints] theirs. l. 41. 1st F misprints] Ii. l. 42. 1st F misprints] hist.