So with Shakespeare’s education at the hands of Nature, which came from keeping his heart as well as his eyes wide open to the beauty of the world.  He speaks of a horse, and we know the fine points of a thoroughbred; he mentions the duke’s hounds, and we hear them clamoring on a fox trail, their voices matched like bells in the frosty air; he stops for an instant in the sweep of a tragedy to note a flower, a star, a moonlit bank, a hilltop touched by the sunrise, and instantly we know what our own hearts felt but could not quite express when we saw the same thing.  Because he notes and remembers every significant thing in the changing panorama of earth and sky, no other writer has ever approached him in the perfect natural setting of his characters.

When Shakespeare was about fourteen years old his father lost his little property and fell into debt, and the boy probably left school to help support the family of younger children.  What occupation he followed for the next eight years is a matter of conjecture.  From evidence found in his plays, it is alleged with some show of authority that he was a country schoolmaster and a lawyer’s clerk, the character of Holofernes, in Love’s Labour’s Lost, being the warrant for one, and Shakespeare’s knowledge of law terms for the other.  But if we take such evidence, then Shakespeare must have been a botanist, because of his knowledge of wild flowers; a sailor, because he knows the ropes; a courtier, because of his extraordinary facility in quips and compliments and courtly language; a clown, because none other is so dull and foolish; a king, because Richard and Henry are true to life; a woman, because he has sounded the depths of a woman’s feelings; and surely a Roman, because in Coriolanus and Julius Caesar he has shown us the Roman spirit better than have the Roman writers themselves.  He was everything, in his imagination, and it is impossible from a study of his scenes and characters to form a definite opinion as to his early occupation.

In 1582 Shakespeare was married to Anne Hathaway, the daughter of a peasant family of Shottery, who was eight years older than her boy husband.  From numerous sarcastic references to marriage made by the characters in his plays, and from the fact that he soon left his wife and family and went to London, it is generally alleged that the marriage was a hasty and unhappy one; but here again the evidence is entirely untrustworthy.  In many Miracles as well as in later plays it was customary to depict the seamy side of domestic life for the amusement of the crowd; and Shakespeare may have followed the public taste in this as he did in other things.  The references to love and home and quiet joys in Shakespeare’s plays are enough, if we take such evidence, to establish firmly the opposite supposition, that his love was a very happy one.  And the fact that, after his enormous success in London, he retired to Stratford to live quietly with his wife and daughters, tends to the same conclusion.